Eric Idle Quote
At least one way of measuring the freedom of any society is the amount of comedy that is permitted, and clearly a healthy society permits more satirical comment than a repressive, so that if comedy is to function in some way as a safety release then it must obviously deal with these taboo areas. This is part of the responsibility we accord our licensed jesters, that nothing be excused the searching light of comedy. If anything can survive the probe of humour it is clearly of value, and conversely all groups who claim immunity from laughter are claiming special privileges which should not be granted.
Eric Idle
At least one way of measuring the freedom of any society is the amount of comedy that is permitted, and clearly a healthy society permits more satirical comment than a repressive, so that if comedy is to function in some way as a safety release then it must obviously deal with these taboo areas. This is part of the responsibility we accord our licensed jesters, that nothing be excused the searching light of comedy. If anything can survive the probe of humour it is clearly of value, and conversely all groups who claim immunity from laughter are claiming special privileges which should not be granted.
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angry people, arguments, bickering, brothers, bullies, causes, comedy, commonsense, crazy people, disputes
About Eric Idle
Known for his elaborate wordplay and musical numbers, Idle performed many of the songs featured in Python projects, including "Always Look on the Bright Side of Life" and "Galaxy Song". After Monty Python's Flying Circus he created the sketch show Rutland Weekend Television (1975–1976), and hosted Saturday Night Live four times (1976–1979). He has also acted in films, including The Adventures of Baron Munchausen (1988), Nuns on the Run (1990), Splitting Heirs (1993), Casper (1995), An Alan Smithee Film: Burn Hollywood Burn (1997), Ella Enchanted (2004), and Shrek the Third (2007).
Idle made his Broadway debut with his adaptation of Monty Python and the Holy Grail (1975) into a musical, Spamalot (2005), which was a critical and commercial success earning the Tony Award for Best Musical, and Grammy Award for Best Musical Theater Album. He also wrote Not the Messiah (2009). He also performed at the London 2012 Olympic Games closing ceremony.