Trinh T. Minh-ha Quote
Never does one open the discussion by coming right to the heart of the matter. For the heart of the matter is always somewhere else than where it is supposed to be. To allow it to emerge, people approach it indirectly by postponing until it matures, by letting it come when it is ready to come. There is no catching, no pushing, no directing, no breaking through, no need for a linear progression which gives the comforting illusion that one knows where one goes. Time and space are not something entirely exterior to oneself, something that one has, keeps, saves, wastes, or loses.
Trinh T. Minh-ha
Never does one open the discussion by coming right to the heart of the matter. For the heart of the matter is always somewhere else than where it is supposed to be. To allow it to emerge, people approach it indirectly by postponing until it matures, by letting it come when it is ready to come. There is no catching, no pushing, no directing, no breaking through, no need for a linear progression which gives the comforting illusion that one knows where one goes. Time and space are not something entirely exterior to oneself, something that one has, keeps, saves, wastes, or loses.
Related Quotes
Amanda, you finally decided to answer the phone, her mom exclaimed after picking up at the first ring. Where’ve you been, what’ve you been up to?Mom, do you remember when I was a kid, I had a friend,...
Rebecca McNutt
Tags:
call, canada, cape breton, conversation, dysfunctional families, eighteen, family, friend, friendship, girl
About Trinh T. Minh-ha
She is professor of Gender & Women's Studies and Rhetoric at the University of California, Berkeley. She teaches courses that focus on gender politics as related to cultural politics, post-coloniality, contemporary critical theory, and the arts. The seminars she offers focus on critical theory and research, cultural politics, feminist theory, Third Cinema, film theory and aesthetics, the Voice in social and creative contexts, and the autobiographical.
Her Vietnamese heritage as well as years of her life spent in West Africa, Japan, and the United States have informed Trinh's work, particularly her focus on cultural politics. While she does not locate herself as primarily Asian or American she also situates herself within the "whole context of Asia whose cultural heritages cut across national borderlines."