Steve Martin Quote
These word games bothered and intrigued me. Appearing to be silly nonsense, on examination they were absolutely logical—yet they were still funny. The comedy doors opened wide, and Lewis Carroll’s clever fancies from the nineteenth century expanded my notion of what comedy could be. I began closing my show by announcing, I’m not going home tonight; I’m going to Bananaland, a place where only two things are true, only two things: One, all chairs are green; and two, no chairs are green. Not at Lewis Carroll’s level, but the line worked for my contemporaries, and I loved implying that the one thing I believed in was a contradiction. I also was enamored of the rhythmic poetry of e. e. cummings, and a tantalizing quote from one of his recorded lectures stayed in my head. When asked why he became a poet, he said, Like the burlesque comedian, I am abnormally fond of that precision which creates movement. The line, with its intriguing reference to comedy, was enigmatic, and it took me ten years to work out its meaning.
These word games bothered and intrigued me. Appearing to be silly nonsense, on examination they were absolutely logical—yet they were still funny. The comedy doors opened wide, and Lewis Carroll’s clever fancies from the nineteenth century expanded my notion of what comedy could be. I began closing my show by announcing, I’m not going home tonight; I’m going to Bananaland, a place where only two things are true, only two things: One, all chairs are green; and two, no chairs are green. Not at Lewis Carroll’s level, but the line worked for my contemporaries, and I loved implying that the one thing I believed in was a contradiction. I also was enamored of the rhythmic poetry of e. e. cummings, and a tantalizing quote from one of his recorded lectures stayed in my head. When asked why he became a poet, he said, Like the burlesque comedian, I am abnormally fond of that precision which creates movement. The line, with its intriguing reference to comedy, was enigmatic, and it took me ten years to work out its meaning.
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About Steve Martin
Martin first came to public notice as a writer for The Smothers Brothers Comedy Hour, for which he won a Primetime Emmy Award in 1969, and later as a frequent host on Saturday Night Live. He became one of the most popular U.S. stand-up comedians during the 1970s, performing his brand of offbeat, absurdist comedy routines before sold-out theaters on national tours. Martin went on to star in film roles, including such films as The Jerk (1979), Dead Men Don't Wear Plaid (1982), The Man with Two Brains (1983), All of Me (1984), ¡Three Amigos! (1986), Planes, Trains and Automobiles (1987), Dirty Rotten Scoundrels (1988), L.A. Story (1991), Bowfinger (1999) and Looney Tunes: Back in Action (2003). He played family patriarchs in Parenthood (1989), the Father of the Bride films (1991–1995), and the Cheaper by the Dozen films (2003–2005).
Since 2015, Martin has embarked on several national comedy tours with fellow comedian Martin Short. In 2018, they released their Netflix special An Evening You Will Forget for the Rest of Your Life for which they received three Primetime Emmy Award nominations. In 2021, he co-created and starred in his first television show, the Hulu comedy series Only Murders in the Building, alongside Short and Selena Gomez, for which he earned three Primetime Emmy Award nominations, two Screen Actors Guild Award nominations, a Golden Globe Award nomination, and a 2021 Peabody Award nomination. In 2022, Martin and Short co-hosted Saturday Night Live together with Gomez making an appearance.
Martin is also known for writing the books to the musical Bright Star (2016) and to the comedy Meteor Shower (2017), both of which premiered on Broadway; he co-wrote the music to the former. He has played banjo since an early age and has included music in his comedy routines from the beginning of his professional career. He has released several music albums and has performed with various bluegrass acts, including Earl Scruggs, with whom he won a Grammy for Best Country Instrumental Performance in 2002. His first solo music album, The Crow: New Songs for the 5-String Banjo (2009) received the Grammy Award for Best Bluegrass Album.