Nora Ephron Quote
There's a reason why forty, fifty, and sixty don't look the way they used to, and it's not because of feminism, or better living through exercise. It's because of hair dye. In the 1950's only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.
Nora Ephron
There's a reason why forty, fifty, and sixty don't look the way they used to, and it's not because of feminism, or better living through exercise. It's because of hair dye. In the 1950's only 7 percent of American women dyed their hair; today there are parts of Manhattan and Los Angeles where there are no gray-haired women at all.
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About Nora Ephron
Ephron started her career writing the screenplays for Silkwood (1983), Heartburn (1986), and When Harry Met Sally... (1989), the last of which earned the BAFTA Award for Best Original Screenplay, and was ranked by the Writers Guild of America as the 40th greatest screenplay of all-time. She made her directorial film debut with comedy-drama This Is My Life (1992) followed by the romantic comedies Sleepless in Seattle (1993), Michael (1996), You've Got Mail (1998), Bewitched (2005), and the biographical film Julie & Julia (2009).
Ephron's first produced play, Imaginary Friends (2002), was honored as one of the ten best plays of the 2002–03 New York theatre season. She also co-authored the Drama Desk Award–winning theatrical production Love, Loss, and What I Wore. In 2013, Ephron received a posthumous Tony Award nomination for Best Play for Lucky Guy. She also wrote columns for Esquire, Cosmpolitan, and The New Yorker.