Donald Barthelme Quote

This is one of the most crucial things that the newcomer needs to know about Barthelme. Though his stuff is sometimes difficult to puncture, and sometimes difficult to follow, while you’re finding your way, he’s always grinning at you in a warm and very compassionate way. The reader gets the feeling that the author is a nice man. That he knows when he’s being difficult and when he’s full of shit. Knows how much of this and how much of that you can actually take. He differs from some of his contemporaries, and from many other forgers of new prose styles, in that he doesn’t ever give off the impression that he takes himself overseriously, and he seems genuinely to care whether or not his work is being read by you. He is a social writer. A writer who seems to be in the next room, waiting for you to finish and tell him what you thought.

Donald Barthelme

This is one of the most crucial things that the newcomer needs to know about Barthelme. Though his stuff is sometimes difficult to puncture, and sometimes difficult to follow, while you’re finding your way, he’s always grinning at you in a warm and very compassionate way. The reader gets the feeling that the author is a nice man. That he knows when he’s being difficult and when he’s full of shit. Knows how much of this and how much of that you can actually take. He differs from some of his contemporaries, and from many other forgers of new prose styles, in that he doesn’t ever give off the impression that he takes himself overseriously, and he seems genuinely to care whether or not his work is being read by you. He is a social writer. A writer who seems to be in the next room, waiting for you to finish and tell him what you thought.

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About Donald Barthelme

Donald Barthelme Jr. (pronounced BAR-thəl-mee or BAR-təl-mee; April 7, 1931 – July 23, 1989) was an American short story writer and novelist known for his playful, postmodernist style of short fiction. Barthelme also worked as a newspaper reporter for the Houston Post, was managing editor of Location magazine, director of the Contemporary Arts Museum in Houston (1961–1962), co-founder of Fiction (with Mark Mirsky and the assistance of Max and Marianne Frisch), and a professor at various universities. He also was one of the original founders of the University of Houston Creative Writing Program.