W. C. Fields Quote
We frequently hear of people dying from too much drinking. That this happens is a matter of record. But the blame almost always is placed on whisky. Why this should be I never could understand. You can die from drinking too much of anything - coffee water milk soft drinks and all such stuff as that. And so long as the presence of death lurks with anyone who goes through the simple act of swallowing I will make mine whisky.
W. C. Fields
We frequently hear of people dying from too much drinking. That this happens is a matter of record. But the blame almost always is placed on whisky. Why this should be I never could understand. You can die from drinking too much of anything - coffee water milk soft drinks and all such stuff as that. And so long as the presence of death lurks with anyone who goes through the simple act of swallowing I will make mine whisky.
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About W. C. Fields
William Claude Dukenfield (January 29, 1880 – December 25, 1946), better known as W. C. Fields, was an American actor, comedian, juggler, and writer.
Fields's career in show business began in vaudeville, where he attained international success as a silent juggler. He began to incorporate comedy into his act and was a featured comedian in the Ziegfeld Follies for several years. He became a star in the Broadway musical comedy Poppy (1923), in which he played a colorful small-time con man. His subsequent stage and film roles were often similar scoundrels or henpecked everyman characters.
Among his trademarks were his raspy drawl and grandiloquent vocabulary. His film and radio persona was generally identified with Fields himself. It was maintained by the publicity departments at Fields's studios (Paramount and Universal) and was further reinforced by Robert Lewis Taylor's 1949 biography W. C. Fields, His Follies and Fortunes. Beginning in 1973, with the publication of Fields's letters, photos, and personal notes in grandson Ronald Fields's book W. C. Fields by Himself, it was shown that Fields was married (and subsequently estranged from his wife), financially supported their son, and loved his grandchildren.
Fields's career in show business began in vaudeville, where he attained international success as a silent juggler. He began to incorporate comedy into his act and was a featured comedian in the Ziegfeld Follies for several years. He became a star in the Broadway musical comedy Poppy (1923), in which he played a colorful small-time con man. His subsequent stage and film roles were often similar scoundrels or henpecked everyman characters.
Among his trademarks were his raspy drawl and grandiloquent vocabulary. His film and radio persona was generally identified with Fields himself. It was maintained by the publicity departments at Fields's studios (Paramount and Universal) and was further reinforced by Robert Lewis Taylor's 1949 biography W. C. Fields, His Follies and Fortunes. Beginning in 1973, with the publication of Fields's letters, photos, and personal notes in grandson Ronald Fields's book W. C. Fields by Himself, it was shown that Fields was married (and subsequently estranged from his wife), financially supported their son, and loved his grandchildren.