Ta-Nehisi Coates Quote

For that particular community, for my community, the message has long been clear: The Civil War is a story for white people—acted out by white people, on white people’s terms—in which blacks feature strictly as stock characters and props. We are invited to listen, but never to truly join the narrative, for to speak as the slave would, to say that we are as happy for the Civil War as most Americans are for the Revolutionary War, is to rupture the narrative. Having been tendered such a conditional invitation, we have elected—as most sane people would—to decline.

Ta-Nehisi Coates

For that particular community, for my community, the message has long been clear: The Civil War is a story for white people—acted out by white people, on white people’s terms—in which blacks feature strictly as stock characters and props. We are invited to listen, but never to truly join the narrative, for to speak as the slave would, to say that we are as happy for the Civil War as most Americans are for the Revolutionary War, is to rupture the narrative. Having been tendered such a conditional invitation, we have elected—as most sane people would—to decline.

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About Ta-Nehisi Coates

Ta-Nehisi Paul Coates ( TAH-nə-HAH-see; born September 30, 1975) is an American author, journalist, and activist. He gained a wide readership during his time as national correspondent at The Atlantic, where he wrote about cultural, social, and political issues, particularly regarding African Americans and white supremacy.
In 2015, Coates received a MacArthur Fellowship from the MacArthur Foundation.
His work has been published in numerous periodicals. He has published four nonfiction books: The Beautiful Struggle (2008), Between the World and Me (2015), We Were Eight Years in Power: An American Tragedy (2017), and The Message (2024). Between the World and Me won the 2015 National Book Award for Nonfiction. He has also written a Black Panther series and a Captain America series for Marvel Comics. His first novel, The Water Dancer, was published in 2019.