Paul La Farge Quote
Always, always, he was holding something. He held his students' attention when they drooped, sleepy with cheap beer, sunlight, tennis. He held a dictionary in his lap. He held the Culhua Mexica in his head, the way a politician holds his constituents: he knew the provincial governors, the secretaries, the tax collectors, the high priests, and he tried to keep track of what they all wanted, so that he could read between the lines of their letters, which were full of strange formalities and equally strange abruptnesses.
Paul La Farge
Always, always, he was holding something. He held his students' attention when they drooped, sleepy with cheap beer, sunlight, tennis. He held a dictionary in his lap. He held the Culhua Mexica in his head, the way a politician holds his constituents: he knew the provincial governors, the secretaries, the tax collectors, the high priests, and he tried to keep track of what they all wanted, so that he could read between the lines of their letters, which were full of strange formalities and equally strange abruptnesses.
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About Paul La Farge
Paul Bayard La Farge (November 17, 1970 – January 18, 2023) was an American novelist and essayist. He wrote five novels: The Artist of the Missing (1999), Haussmann, or the Distinction (2001), The Facts of Winter (2005), Luminous Airplanes (2011), and The Night Ocean (2017), all of which, particularly Haussmann, earned positive critical attention. His essays, fiction and reviews have appeared in publications such as The Believer, The Village Voice, Harper's, and The New Yorker.