Michael Haneke Quote
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
Michael Haneke
Film is the manipulative medium par excellence. When you think back on the history of film and the 20th century, you see the propaganda that's been made. So there are moral demands on the director to treat the spectators as seriously as he or she takes himself and not to see them merely as victims that can be manipulated to whatever ends they have.
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About Michael Haneke
Michael Haneke (German: [ˈhaːnəkə]; born 23 March 1942) is an Austrian film director and screenwriter. His work often examines social issues and depicts the feelings of estrangement experienced by individuals in modern society. Haneke has made films in French, German, and English and has worked in television and theatre, as well as cinema. He also teaches film direction at the Film Academy Vienna.
Haneke is known for his "glaciation" trilogy, consisting of The Seventh Continent (1989), Benny's Video (1992), and 71 Fragments of a Chronology of Chance (1994), each of which depict a "coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise" and explore "the relationship among consumerism, violence, mass media, and contemporary alienation". He has since won the Cannes Film Festival's Grand Prix for The Piano Teacher (2001) as well as its Palme d'Or twice for The White Ribbon (2009), and Amour (2012), the latter of which received five Academy Award nominations and won the Academy Award for Best Foreign Language Film. He is also known for directing Funny Games (1997), Code Unknown (2000), Caché (2005), and Happy End (2017).
Haneke is known for his "glaciation" trilogy, consisting of The Seventh Continent (1989), Benny's Video (1992), and 71 Fragments of a Chronology of Chance (1994), each of which depict a "coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise" and explore "the relationship among consumerism, violence, mass media, and contemporary alienation". He has since won the Cannes Film Festival's Grand Prix for The Piano Teacher (2001) as well as its Palme d'Or twice for The White Ribbon (2009), and Amour (2012), the latter of which received five Academy Award nominations and won the Academy Award for Best Foreign Language Film. He is also known for directing Funny Games (1997), Code Unknown (2000), Caché (2005), and Happy End (2017).