Vincent Gallo Quote
I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language.
Vincent Gallo
I'm talking to a journalist and I really have nothing to say anymore, this is already uncomfortable. I feel the pain coming already. The brutal pain, when one day I should read your edit of whatever I say, because no matter what I say, no matter how I say it, no matter its tone, its frequency range, its decibel level or the way in which I put the words together, no matter my intentions and no matter the truth. What I'll read one day will be a chastised, manipulated abortion of your misunderstandings, your manipulations, your agenda and your amateur use of the English language.
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About Vincent Gallo
Following a childhood working for the local mafia, Gallo began his professional career as a Formula II motorcycle racer. He went on to become a successful painter and musician, working with Jean-Michel Basquiat and Lukas Haas. Gallo later transitioned into the film and television industry, receiving small roles in works including The Equalizer (1985) and Goodfellas (1990). Gallo soon starred in films including Arizona Dream (1993), The House of the Spirits (1993), Palookaville (1995), The Funeral (1996), Stranded (2001), Tetro (2009), Metropia (2009), Essential Killing (2010), and The Legend of Kaspar Hauser (2012). As a filmmaker, he directed, wrote, and starred in three independent films: Buffalo '66 (1998), The Brown Bunny (2003), and Promises Written in Water (2010). Gallo has also directed and starred in numerous short films, including The Agent (2010), and several music videos, such as Going Inside and Cosmopolitan Bloodloss.
In the early 2000s, Gallo also released several solo recordings on Warp Records, including the album When. As a model, he has been photographed for several fashion houses and brands including Calvin Klein, H&M, Supreme, and Yves Saint Laurent.
Gallo's films have gained a cult following, especially in Japan. Film critics have frequently praised Gallo's acting performances, but remain divided on his directorial work. Conversely, many filmmakers and actors have acclaimed both Gallo's directorial work and performances.