Umberto Eco Quote
Is there a notion of hope (and of our responsibility to the future) that could be shared by believers and nonbelievers? What can it be based on now? Does an idea of the end, one that does not imply disinterest in the future but rather a constant examination of the errors of the past, have a critical function?If not, it would be perfectly all right to accept the approach of the end, even without thinking about it, sitting in front of our TV screens (in the shelter of our electronic fortifications), waiting for someone to while meantime things go however they go. And to hell with what will come.
Umberto Eco
Is there a notion of hope (and of our responsibility to the future) that could be shared by believers and nonbelievers? What can it be based on now? Does an idea of the end, one that does not imply disinterest in the future but rather a constant examination of the errors of the past, have a critical function?If not, it would be perfectly all right to accept the approach of the end, even without thinking about it, sitting in front of our TV screens (in the shelter of our electronic fortifications), waiting for someone to while meantime things go however they go. And to hell with what will come.
Tags:
end of the world, end of time, entertainment, future, history, hope, life, past, religion, responsibility
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About Umberto Eco
Umberto Eco (5 January 1932 – 19 February 2016) was an Italian medievalist, philosopher, semiotician, novelist, cultural critic, and political and social commentator. In English, he is best known for his popular 1980 novel The Name of the Rose, a historical mystery combining semiotics in fiction with biblical analysis, medieval studies and literary theory, as well as Foucault's Pendulum, his 1988 novel which touches on similar themes.
Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.
Eco wrote prolifically throughout his life, with his output including children's books, translations from French and English, in addition to a twice-monthly newspaper column "La Bustina di Minerva" (Minerva's Matchbook) in the magazine L'Espresso beginning in 1985, with his last column (a critical appraisal of the Romantic paintings of Francesco Hayez) appearing 27 January 2016. At the time of his death, he was an Emeritus professor at the University of Bologna, where he taught for much of his life. In the 21st century, he has continued to gain recognition for his 1995 essay "Ur-Fascism", where Eco lists fourteen general properties he believes comprise fascist ideologies.