Tom Stoppard Quote
STANKEVICH The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going?MICHAEL Father's looking for me anyway. . .(gloomily) I've had to ask him to settle a few debts here and there in the world of appearances, so now he's been busy getting me a job.Liubov enters from the garden, with her book.LIUBOV Oh!-(noticing Stankevich) Excuse me-MICHAEL Nobody seems to understand Stankevich and I are engaged in a life-or-death struggle over material forces to unite our spirit with the Universal- and he has to go to Moscow tomorrow!
STANKEVICH The world outside of me has no meaning independent of my thinking it. (pauses to look) I look out of the window. A garden. Trees. Grass. A young woman in a chair reading a book. I think: chair. So she is sitting. I think: book. So she is reading. Now the young woman touches her hair where it's come undone. But how can we be sure there is a world of phenomena, a woman reading in a garden? Perhaps the only thing that's real is my sensory experience, which has the form of a woman reading- in a universe which is in fact empty! But Immanuel Kant says- no! Because what I perceive as reality includes concepts which I cannot experience through the senses. Time and space. Cause and effect. Relations between things. Without me there is something wrong with this picture. The trees, the grass, the woman are merely- oh, she's coming! (nervously)- she's coming in here-! I say, don't leave!-where are you going?MICHAEL Father's looking for me anyway. . .(gloomily) I've had to ask him to settle a few debts here and there in the world of appearances, so now he's been busy getting me a job.Liubov enters from the garden, with her book.LIUBOV Oh!-(noticing Stankevich) Excuse me-MICHAEL Nobody seems to understand Stankevich and I are engaged in a life-or-death struggle over material forces to unite our spirit with the Universal- and he has to go to Moscow tomorrow!
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About Tom Stoppard
Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright.
Stoppard's most prominent plays include Rosencrantz and Guildenstern Are Dead (1966), Jumpers (1972), Travesties (1974), Night and Day (1978), The Real Thing (1982), Arcadia (1993), The Invention of Love (1997), The Coast of Utopia (2002), Rock 'n' Roll (2006) and Leopoldstadt (2020). He wrote the screenplays for Brazil (1985), Empire of the Sun (1987), The Russia House (1990), Billy Bathgate (1991), Shakespeare in Love (1998), Enigma (2001), and Anna Karenina (2012), as well as the HBO limited series Parade's End (2013). He directed the film Rosencrantz and Guildenstern Are Dead (1990), an adaptation of his own 1966 play, with Gary Oldman and Tim Roth as the leads. Stoppard wrote the film's screenplay.
Stoppard has received numerous awards and honours including an Academy Award, three Laurence Olivier Award, and five Tony Awards. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture". It was announced in June 2019 that Stoppard had written a new play, Leopoldstadt, set in the Jewish community of early 20th-century Vienna. The play premiered in January 2020 at Wyndham's Theatre. The play went on to win the Laurence Olivier Award for Best New Play and later the 2022 Tony Award for Best Play.