Tom Robbins Quote

If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.

Tom Robbins

If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.

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About Tom Robbins

Thomas Eugene Robbins (born July 22, 1932) is an American novelist. His most notable works are "seriocomedies" (also known as "comedy drama"). Tom Robbins has lived in La Conner, Washington since 1970, where he has written nine books. His 1976 novel Even Cowgirls Get the Blues was adapted into the 1993 film version by Gus Van Sant. His latest work, published in 2014, is Tibetan Peach Pie, which is a self-declared "un-memoir".