Slavoj Zizek Quote

We can understand an attempt to ignore power as being just for the right of the people when conditions demand it. It's a very forceful weapon - maybe it will become more and more forceful. And you should never forget that the state is not 'up there'. The state functions only as far as it is recognized as functioning. I mean, people have tremendous power in organizing themselves just to ignore power.

Slavoj Zizek

We can understand an attempt to ignore power as being just for the right of the people when conditions demand it. It's a very forceful weapon - maybe it will become more and more forceful. And you should never forget that the state is not 'up there'. The state functions only as far as it is recognized as functioning. I mean, people have tremendous power in organizing themselves just to ignore power.

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About Slavoj Zizek

Slavoj Žižek ( SLAH-voy ZHEE-zhek; Slovene: [ˈsláːʋɔj ˈʒíːʒək]; born 21 March 1949) is a Slovenian Marxist philosopher, cultural theorist and public intellectual.
He is the international director of the Birkbeck Institute for the Humanities at the University of London, Global Distinguished Professor of German at New York University, professor of philosophy and psychoanalysis at the European Graduate School and senior researcher at the Institute for Sociology and Philosophy at the University of Ljubljana. He primarily works on continental philosophy (particularly Hegelianism, psychoanalysis and Marxism) and political theory, as well as film criticism and theology.
Žižek is the most famous associate of the Ljubljana School of Psychoanalysis, a group of Slovenian academics working on German idealism, Lacanian psychoanalysis, ideology critique, and media criticism. His breakthrough work was 1989's The Sublime Object of Ideology, his first book in English, which was decisive in the introduction of the Ljubljana School's thought to English-speaking audiences. He has written over 50 books in multiple languages and speaks Slovene, Serbo-Croatian, English, German, and French. The idiosyncratic style of his public appearances, frequent magazine op-eds, and academic works, characterised by the use of obscene jokes and pop cultural examples, as well as politically incorrect provocations, have gained him fame, controversy and criticism both in and outside academia.