Ruth Ozeki Quote

I really like drumming. While I'm doing it, I am aware of the sixty-five moments that Jiko says are in the snap of a finger. I'm serious. When you're beating a drum, you can hear when the BOOM comes the teeniest bit too late or the teeniest bit too early, because your whole attention is focused on the razor edge between silence and noise. Finally I achieved my goal and resolved my childhood obsession with NOW, when silence becomes a sound so enormous and alive it feels like you're breathing in the clouds and the sky, and your heart is the rain and the thunder.Jiko says that is an example of the time being. Sound and no-sound. Thunder and silence.

Ruth Ozeki

I really like drumming. While I'm doing it, I am aware of the sixty-five moments that Jiko says are in the snap of a finger. I'm serious. When you're beating a drum, you can hear when the BOOM comes the teeniest bit too late or the teeniest bit too early, because your whole attention is focused on the razor edge between silence and noise. Finally I achieved my goal and resolved my childhood obsession with NOW, when silence becomes a sound so enormous and alive it feels like you're breathing in the clouds and the sky, and your heart is the rain and the thunder.Jiko says that is an example of the time being. Sound and no-sound. Thunder and silence.

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About Ruth Ozeki

Ruth Ozeki (born March 12, 1956) is an American-Canadian author, filmmaker and Zen Buddhist priest. Her books and films, including the novels My Year of Meats (1998), All Over Creation (2003), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021) seek to integrate personal narrative and social issues, and deal with themes relating to science, technology, environmental politics, race, religion, war and global popular culture. Her novels have been translated into more than thirty languages. She teaches creative writing at Smith College, where she is the Grace Jarcho Ross 1933 Professor of Humanities in the Department of English Language and Literature.