Robin Hobb Quote
For some time. She’s long past her bearing years now. Nettle will be our only daughter.’ His face softened. ‘I’m sorry, Fitz. I’ve been told that nothing completes a man’s life in quite the way that children do. I know that you wanted—’ I interrupted. ‘I had the raising of Hap. I flatter myself that I did well enough for a man handed an eight-year-old orphan at short notice. He keeps in touch with me still, when his travels and minstrel duties allow it. And Nettle turned out well, and Molly has shared all her younger children with me. I watched Hearth and Just grow to manhood, and we watched them ride off together. Those were good years, Chade. There’s no good to be had from pining after lost chances. I have Molly. And truly, she’s enough for me. She’s my home.’ And there, I’d successfully cut him off before he could importune me to stay a while, or move back to Buckkeep Castle just for a season or a year or two. His litany was as familiar as Kettricken’s, but flavoured more with guilt than duty. He was an old man, and still had so much to teach me. I had always been his most promising student. Dutiful still had need of an accomplished assassin, and I was a unique weapon in that the young king could converse silently with me via the Skill. And there was the Skill itself. There were still so many mysteries to unravel. So much translating left to do, so many secrets and techniques to be mined from the trove of scrolls we had retrieved from Aslevjal. I knew all his arguments and persuasions. Over the years, I had heard them all. And resisted them all. Repeatedly. Yet
For some time. She’s long past her bearing years now. Nettle will be our only daughter.’ His face softened. ‘I’m sorry, Fitz. I’ve been told that nothing completes a man’s life in quite the way that children do. I know that you wanted—’ I interrupted. ‘I had the raising of Hap. I flatter myself that I did well enough for a man handed an eight-year-old orphan at short notice. He keeps in touch with me still, when his travels and minstrel duties allow it. And Nettle turned out well, and Molly has shared all her younger children with me. I watched Hearth and Just grow to manhood, and we watched them ride off together. Those were good years, Chade. There’s no good to be had from pining after lost chances. I have Molly. And truly, she’s enough for me. She’s my home.’ And there, I’d successfully cut him off before he could importune me to stay a while, or move back to Buckkeep Castle just for a season or a year or two. His litany was as familiar as Kettricken’s, but flavoured more with guilt than duty. He was an old man, and still had so much to teach me. I had always been his most promising student. Dutiful still had need of an accomplished assassin, and I was a unique weapon in that the young king could converse silently with me via the Skill. And there was the Skill itself. There were still so many mysteries to unravel. So much translating left to do, so many secrets and techniques to be mined from the trove of scrolls we had retrieved from Aslevjal. I knew all his arguments and persuasions. Over the years, I had heard them all. And resisted them all. Repeatedly. Yet
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About Robin Hobb
Born in California, Lindholm grew up in Alaska and the Pacific Northwest and married a mariner at age eighteen. The Alaskan wilderness and the ocean were prominent aspects of her life, influencing her writing. After an early career in short fiction, at age thirty Lindholm published her first novel while working as a waitress and raising children. The first work to bring her recognition was the 1986 novel Wizard of the Pigeons, a liminal fantasy set in Seattle. A forerunner of the urban fantasy genre, it received praise for Lindholm's depiction of understated magic and poverty. Her science fiction novella "A Touch of Lavender" was nominated for the Hugo and Nebula Awards. While critically well received, Lindholm's work did not sell well and she began writing under the pen name Robin Hobb in 1995.
Hobb achieved commercial success with her debut work under this pseudonym, the Farseer trilogy. An epic fantasy told as a first-person retrospective, it has been described as a character-driven and introspective work. Hobb went on to write four further series set in the Realm of the Elderlings, which received praise from critics for her characterization, and in 2005 The Times described her as "one of the great modern fantasy writers". Through her writing, Hobb explores otherness, ecocentrism, queerness, and gender as themes. She concluded the Elderlings series in 2017 and won the World Fantasy Award—Life Achievement in 2021.