Robert Lowell Quote
EB: 'Ll showed me a long verse-letter, very obscene, he’d received from Dylan T[Thomas] before D’s last trip here [New York]—very clever, but it really can’t be published for a long, long time, he’s decided. About people D. met in the U.S. etc.—one small sample: A Streetcar Named Desire is referred to as 'A truck called F———.'RL: 'Psycho-therapy is rather amazing—something like stirring up the bottom of an aquarium—chunks of the past coming up at unfamiliar angles, distinct and then indistinct.'RL: 'I have just finished the Yeats Letters—900 & something pages—although some I’d read before. He is so Olympian always, so calm, so really unrevealing, and yet I was fascinated.'RL: 'Probably you forget, and anyway all that is mercifully changed and all has come right since you found Lota. But at the time everything, I guess (I don’t want to overdramatize) our relations seemed to have reached a new place. I assumed that would be just a matter of time before I proposed and I half believed that you would accept. Yet I wanted it all to have the right build-up. Well, I didn’t say anything then.'EB: 'so I suppose I am just a born worrier, and that when the personal worries of adolescence and the years after it have more or less disappeared I promptly have to start worrying about the decline of nations . . . But I really can’t bear much of American life these days—surely no country has ever been so filthy rich and so hideously uncomfortable at the same time.
EB: 'Ll showed me a long verse-letter, very obscene, he’d received from Dylan T[Thomas] before D’s last trip here [New York]—very clever, but it really can’t be published for a long, long time, he’s decided. About people D. met in the U.S. etc.—one small sample: A Streetcar Named Desire is referred to as 'A truck called F———.'RL: 'Psycho-therapy is rather amazing—something like stirring up the bottom of an aquarium—chunks of the past coming up at unfamiliar angles, distinct and then indistinct.'RL: 'I have just finished the Yeats Letters—900 & something pages—although some I’d read before. He is so Olympian always, so calm, so really unrevealing, and yet I was fascinated.'RL: 'Probably you forget, and anyway all that is mercifully changed and all has come right since you found Lota. But at the time everything, I guess (I don’t want to overdramatize) our relations seemed to have reached a new place. I assumed that would be just a matter of time before I proposed and I half believed that you would accept. Yet I wanted it all to have the right build-up. Well, I didn’t say anything then.'EB: 'so I suppose I am just a born worrier, and that when the personal worries of adolescence and the years after it have more or less disappeared I promptly have to start worrying about the decline of nations . . . But I really can’t bear much of American life these days—surely no country has ever been so filthy rich and so hideously uncomfortable at the same time.
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About Robert Lowell
Lowell stated, "The poets who most directly influenced me ... were Allen Tate, Elizabeth Bishop, and William Carlos Williams. An unlikely combination! ... but you can see that Bishop is a sort of bridge between Tate's formalism and Williams's informal art." Lowell wrote in both formal, metered verse as well as free verse; his verse in some poems from Life Studies and Notebook fell somewhere in between metered and free verse.
After the publication of his 1959 book Life Studies, which won the 1960 National Book Award and "featured a new emphasis on intense, uninhibited discussion of personal, family, and psychological struggles", he was considered an important part of the confessional poetry movement. However, much of Lowell's work, which often combined the public with the personal, did not conform to a typical "confessional poetry" model. Instead, Lowell worked in a number of distinctive stylistic modes and forms over the course of his career.
He was appointed the sixth Consultant in Poetry to the Library of Congress, where he served from 1947 until 1948. In addition to winning the National Book Award, he won the Pulitzer Prize for Poetry in 1947 and 1974, the National Book Critics Circle Award in 1977, and a National Institute of Arts and Letters Award in 1947. He is "widely considered one of the most important American poets of the postwar era." His biographer Paul Mariani called him "the poet-historian of our time" and "the last of [America's] influential public poets."