Ray Bradbury Quote

And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition?Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast?No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career.There was only one thing sure.Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension:By the pricking of my thumbs,Something wicked this way comes.So vague yet so immense.He did not want to live with it.Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life.At the window he looked out and thought Jim, Will, are you coming? will you get here?Waiting, his flesh took paleness from his bones.

Ray Bradbury

And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition?Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast?No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career.There was only one thing sure.Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension:By the pricking of my thumbs,Something wicked this way comes.So vague yet so immense.He did not want to live with it.Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life.At the window he looked out and thought Jim, Will, are you coming? will you get here?Waiting, his flesh took paleness from his bones.

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About Ray Bradbury

Ray Douglas Bradbury (US: BRAD-berr-ee; August 22, 1920 – June 5, 2012) was an American author and screenwriter. One of the most celebrated 20th-century American writers, he worked in a variety of genres, including fantasy, science fiction, horror, mystery, and realistic fiction.
Bradbury is best known for his novel Fahrenheit 451 (1953) and his short-story collections The Martian Chronicles (1950), The Illustrated Man (1951), "The Veldt", and The October Country (1955). Other notable works include the coming of age novel Dandelion Wine (1957), the dark fantasy Something Wicked This Way Comes (1962) and the fictionalized memoir Green Shadows, White Whale (1992). He also wrote and consulted on screenplays and television scripts, including Moby Dick and It Came from Outer Space. Many of his works were adapted into television and film productions as well as comic books. Bradbury also wrote poetry which has been published in several collections, such as They Have Not Seen the Stars (2001).
The New York Times called Bradbury "An author whose fanciful imagination, poetic prose, and mature understanding of human character have won him an international reputation" and "the writer most responsible for bringing modern science fiction into the literary mainstream".