Pearl S. Buck Quote

This scroll, five hundred years old and more, had been inspired by her favorite, the great Wang Wei, master of landscape art, who had painted the scenes from his own home, where he lived for thirty years before he died. Now behind the palace walls on this winter’s day, where she could see only sky and falling snow, Tzu His gazed upon the green landscapes of continuing spring. One landscape melted into another as slowly she unrolled the scroll, so that she might dwell upon every detail of tree and brook and distant hillside. So did she, in imagination, pass beyond the high walls which enclosed her, and she traveled through a delectable country, beside flowing brooks and spreading lakes, and following the ever-flowing river she crossed over wooden bridges and climbed the stony pathways upon a high mountainside and thence looked down a gorge to see a torrent fed by still higher springs, and breaking into waterfalls as it traveled toward the plains. Down from the mountain again she came, past small villages nestling in pine forests and into the warmer valleys among bamboo groves, and she paused in a poet’s pavilion, and so reached at last the shore where the river lost itself in a bay. There among the reeds a fisherman’s boat rose and fell upon the rising tide. Here the river ended, its horizon the open sea and the misted mountains of infinity. This scroll, Lady Miao had once told her, was the artist’s picture of the human soul, passing through the pleasantest scenes of earth to the last view of the unknown future, far beyond.

Pearl S. Buck

This scroll, five hundred years old and more, had been inspired by her favorite, the great Wang Wei, master of landscape art, who had painted the scenes from his own home, where he lived for thirty years before he died. Now behind the palace walls on this winter’s day, where she could see only sky and falling snow, Tzu His gazed upon the green landscapes of continuing spring. One landscape melted into another as slowly she unrolled the scroll, so that she might dwell upon every detail of tree and brook and distant hillside. So did she, in imagination, pass beyond the high walls which enclosed her, and she traveled through a delectable country, beside flowing brooks and spreading lakes, and following the ever-flowing river she crossed over wooden bridges and climbed the stony pathways upon a high mountainside and thence looked down a gorge to see a torrent fed by still higher springs, and breaking into waterfalls as it traveled toward the plains. Down from the mountain again she came, past small villages nestling in pine forests and into the warmer valleys among bamboo groves, and she paused in a poet’s pavilion, and so reached at last the shore where the river lost itself in a bay. There among the reeds a fisherman’s boat rose and fell upon the rising tide. Here the river ended, its horizon the open sea and the misted mountains of infinity. This scroll, Lady Miao had once told her, was the artist’s picture of the human soul, passing through the pleasantest scenes of earth to the last view of the unknown future, far beyond.

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About Pearl S. Buck

Pearl Comfort Sydenstricker Buck (June 26, 1892 – March 6, 1973) was an American writer and novelist. She is best known for The Good Earth, the best-selling novel in the United States in 1931 and 1932 and which won her the Pulitzer Prize in 1932. In 1938, Buck became the first American woman to win the Nobel Prize in Literature "for her rich and truly epic descriptions of peasant life in China" and for her "masterpieces", two memoir-biographies of her missionary parents.
Buck was born in West Virginia, but in October 1892, her parents took their 4-month-old baby to China. As the daughter of missionaries and later as a missionary herself, Buck spent most of her life before 1934 in Zhenjiang, with her parents, and in Nanjing, with her first husband. She and her parents spent their summers in a villa in Kuling, Mount Lu, Jiujiang, and it was during this annual pilgrimage that the young girl decided to become a writer. She graduated from Randolph-Macon Woman's College in Lynchburg, Virginia, then returned to China. From 1914 to 1932, after marrying John Lossing Buck, she served as a Presbyterian missionary, but she came to doubt the need for foreign missions. Her views became controversial during the Fundamentalist–Modernist controversy, leading to her resignation. After returning to the United States in 1935, she married the publisher Richard J. Walsh and continued writing prolifically. She became an activist and prominent advocate of the rights of women and racial equality, and wrote widely on Chinese and Asian cultures, becoming particularly well known for her efforts on behalf of Asian and mixed-race adoption.