Nora Ephron Quote
I'd known since I was a child that I was going to live in New York eventually, and that everything in between would just be an intermission. I'd spent all those years imagining what New York was going to be like. I thought it was going to be the most exciting, magical, fraught-with-possibility place that you could ever live; a place where if you really wanted something you might be able to get it; a place where I'd be surrounded by people I was dying to know; a place where I might be able to become the only thing worth being, a journalist. And I'd turned out to be right.
Nora Ephron
I'd known since I was a child that I was going to live in New York eventually, and that everything in between would just be an intermission. I'd spent all those years imagining what New York was going to be like. I thought it was going to be the most exciting, magical, fraught-with-possibility place that you could ever live; a place where if you really wanted something you might be able to get it; a place where I'd be surrounded by people I was dying to know; a place where I might be able to become the only thing worth being, a journalist. And I'd turned out to be right.
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america, american dream, angst, anthologies, city life, home, houses, life, long island, new york
About Nora Ephron
Ephron started her career writing the screenplays for Silkwood (1983), Heartburn (1986), and When Harry Met Sally... (1989), the last of which earned the BAFTA Award for Best Original Screenplay, and was ranked by the Writers Guild of America as the 40th greatest screenplay of all-time. She made her directorial film debut with comedy-drama This Is My Life (1992) followed by the romantic comedies Sleepless in Seattle (1993), Michael (1996), You've Got Mail (1998), Bewitched (2005), and the biographical film Julie & Julia (2009).
Ephron's first produced play, Imaginary Friends (2002), was honored as one of the ten best plays of the 2002–03 New York theatre season. She also co-authored the Drama Desk Award–winning theatrical production Love, Loss, and What I Wore. In 2013, Ephron received a posthumous Tony Award nomination for Best Play for Lucky Guy. She also wrote columns for Esquire, Cosmpolitan, and The New Yorker.