Neil Gaiman Quote

I don’t think that I’ve been in love as suchAlthough I liked a few folk pretty wellLove must be vaster than my smiles or touchfor brave men died and empires rose and fellFor love, girls follow boys to foreign landsand men have followed women into hellIn plays and poems someone understandsthere’s something makes us more than blood and boneand more than biological demands For me love’s like the wind, unseen, unknownI see the trees are bending where it’s beenI know that it leaves wreckage where it’s blownI really don’t know what I love you meansI think it means don’t leave me here alone

Neil Gaiman

I don’t think that I’ve been in love as suchAlthough I liked a few folk pretty wellLove must be vaster than my smiles or touchfor brave men died and empires rose and fellFor love, girls follow boys to foreign landsand men have followed women into hellIn plays and poems someone understandsthere’s something makes us more than blood and boneand more than biological demands For me love’s like the wind, unseen, unknownI see the trees are bending where it’s beenI know that it leaves wreckage where it’s blownI really don’t know what I love you meansI think it means don’t leave me here alone

Tags: love, poem, poetry, sonnet

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About Neil Gaiman

Neil Richard MacKinnon Gaiman (; born Neil Richard Gaiman; 10 November 1960) is an English author of short fiction, novels, comic books, audio theatre, and screenplays. His works include the comic series The Sandman (1989–1996) and the novels Good Omens (1990), Stardust (1999), American Gods (2001), Coraline (2002), Anansi Boys (2005), The Graveyard Book (2008) and The Ocean at the End of the Lane (2013). He co-created the TV adaptations of Good Omens and The Sandman.
Gaiman's awards include Hugo, Nebula, and Bram Stoker awards and Newbery and Carnegie medals. He is the first author to win the Newbery and the Carnegie medals for the same work, The Graveyard Book. The Ocean at the End of the Lane was voted Book of the Year in the British National Book Awards, and it was adapted into an acclaimed stage play at the Royal National Theatre in London.
Beginning in 2024, news outlets published sexual assault accusations against Gaiman by numerous women. This affected or halted production on several adaptations of his work. One accuser sued Gaiman and his estranged wife Amanda Palmer for rape and human trafficking. Gaiman has denied these allegations.