Miriam Toews Quote

My mother and I were on a plane. Before we left I talked with Elf. She didn't talk at all. I told her things would be okay, truly, that I needed her, that I understood her, that I loved her, that I'd miss her, that I'd be back for her, that being together in Toronto for a while would be amazing, that Nora was really looking forward to it too, that I understood that just because she didn't want to live didn't mean that she necessarily wanted to die it's just that that's sort of how that one goes, that she wanted to die the way she'd lived, with grace and dignity, that I needed her to be patient, to fight a little longer, to hold on, to know she was loved, to know I wanted to help her, that I would help her, that I needed to do some stuff, that mom and I had to go to Aunt Tina's funeral in Vancouver, that I'd be back, that she'd stay with me in Toronto for a while, a total break, that Nic was here now, back in Winnipeg, that he'd see her every day, that I had to go, that I had to know she'd be okay while I was gone, that I would bow down before her suffering with compassion, that she could control her life, that I understood that pain is sometimes psychic, not only physical, that she wanted nothing more than to end it and to sleep forever, that for her life was over but that for me it was still ongoing and that an aspect of it was trying to save her, that the notion of saving her was one that we didn't agree on, that I was willing to do whatever she wanted me to do but only if it was absolutely true that there were no other doors to find, to push against or storm because if there were I'd break every bone in my body running up against that fucking door repeatedly, over and over and over and over.

Miriam Toews

My mother and I were on a plane. Before we left I talked with Elf. She didn't talk at all. I told her things would be okay, truly, that I needed her, that I understood her, that I loved her, that I'd miss her, that I'd be back for her, that being together in Toronto for a while would be amazing, that Nora was really looking forward to it too, that I understood that just because she didn't want to live didn't mean that she necessarily wanted to die it's just that that's sort of how that one goes, that she wanted to die the way she'd lived, with grace and dignity, that I needed her to be patient, to fight a little longer, to hold on, to know she was loved, to know I wanted to help her, that I would help her, that I needed to do some stuff, that mom and I had to go to Aunt Tina's funeral in Vancouver, that I'd be back, that she'd stay with me in Toronto for a while, a total break, that Nic was here now, back in Winnipeg, that he'd see her every day, that I had to go, that I had to know she'd be okay while I was gone, that I would bow down before her suffering with compassion, that she could control her life, that I understood that pain is sometimes psychic, not only physical, that she wanted nothing more than to end it and to sleep forever, that for her life was over but that for me it was still ongoing and that an aspect of it was trying to save her, that the notion of saving her was one that we didn't agree on, that I was willing to do whatever she wanted me to do but only if it was absolutely true that there were no other doors to find, to push against or storm because if there were I'd break every bone in my body running up against that fucking door repeatedly, over and over and over and over.

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About Miriam Toews

Miriam Toews ( ; born 1964) is a Canadian writer and author of nine books, including A Complicated Kindness (2004), All My Puny Sorrows (2014), and Women Talking (2018). She has won a number of literary prizes including the Governor General's Award for Fiction and the Writers' Trust Engel/Findley Award for her body of work. Toews is also a three-time finalist for the Scotiabank Giller Prize and a two-time winner of the Rogers Writers' Trust Fiction Prize.
Toews had a leading role in the feature film Silent Light, written and directed by Mexican filmmaker Carlos Reygadas, and winner of the 2007 Cannes Jury Prize, an experience that informed her fifth novel, Irma Voth (2011).
Toews lives in Toronto and is an adjunct professor at the University of Toronto in the Faculty of Arts & Science.