Mark Ravenhill Quote
And I think a long time ago there were big stories. Stories so big you could live your whole life in them. The Powerful Hands of the Gods and Fate. The Journey to Enlightenment. The March of Socialism. But they all died or the world grew up or grew senile or forgot them, so now we're making up our own stories. Little stories. But we've each got one.
Mark Ravenhill
And I think a long time ago there were big stories. Stories so big you could live your whole life in them. The Powerful Hands of the Gods and Fate. The Journey to Enlightenment. The March of Socialism. But they all died or the world grew up or grew senile or forgot them, so now we're making up our own stories. Little stories. But we've each got one.
Tags:
meaning of life
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About Mark Ravenhill
Mark Ravenhill (born 7 June 1966) is an English playwright, actor and journalist.
Ravenhill is one of the most widely performed playwrights in British theatre of the late-twentieth and twenty-first centuries. His major plays include Shopping and Fucking (first performed in 1996), Some Explicit Polaroids (1999), Mother Clap's Molly House (2000), The Cut (2006), Shoot Get Treasure Repeat (2007) and The Cane (2018).
In 1999 he was one of the recipients of the V Europe Prize Theatrical Realities awarded to the Royal Court Theatre (with Sarah Kane, Jez Butterworth, Conor McPherson, Martin McDonagh).
He made his professional acting debut in his own monologue Product, at the 2005 Edinburgh Festival Fringe.
Ravenhill is one of the most widely performed playwrights in British theatre of the late-twentieth and twenty-first centuries. His major plays include Shopping and Fucking (first performed in 1996), Some Explicit Polaroids (1999), Mother Clap's Molly House (2000), The Cut (2006), Shoot Get Treasure Repeat (2007) and The Cane (2018).
In 1999 he was one of the recipients of the V Europe Prize Theatrical Realities awarded to the Royal Court Theatre (with Sarah Kane, Jez Butterworth, Conor McPherson, Martin McDonagh).
He made his professional acting debut in his own monologue Product, at the 2005 Edinburgh Festival Fringe.