Junichiro Tanizaki Quote

When I was at the University I knew a law student named Yamada Uruu. Later he worked for the Osaka Municipal Office; he’s been dead for years. This man’s father was an old-time lawyer, or advocate, who in early Meiji defended the notorious murderess Takahashi Oden. It seems he often talked to his son about Oden’s beauty. Apparently he would corner him and go on and on about her, as if deeply moved. You might call her alluring, or bewitching, he would say. I’ve never known such a fascinating woman, she’s a real vampire. When I saw her I thought I wouldn’t mind dying at the hands of a woman like that!Since I have no particular reason to keep on living, sometimes I think I would be happier if a woman like Oden turned up to kill me. Rather than endure the pain of these half-dead arms and legs of mine, maybe I could get it over and at the same time see how it feels to be brutally murdered.

Junichiro Tanizaki

When I was at the University I knew a law student named Yamada Uruu. Later he worked for the Osaka Municipal Office; he’s been dead for years. This man’s father was an old-time lawyer, or advocate, who in early Meiji defended the notorious murderess Takahashi Oden. It seems he often talked to his son about Oden’s beauty. Apparently he would corner him and go on and on about her, as if deeply moved. You might call her alluring, or bewitching, he would say. I’ve never known such a fascinating woman, she’s a real vampire. When I saw her I thought I wouldn’t mind dying at the hands of a woman like that!Since I have no particular reason to keep on living, sometimes I think I would be happier if a woman like Oden turned up to kill me. Rather than endure the pain of these half-dead arms and legs of mine, maybe I could get it over and at the same time see how it feels to be brutally murdered.

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About Junichiro Tanizaki

Jun'ichirō Tanizaki (谷崎 潤一郎, Tanizaki Jun'ichirō, 24 July 1886 – 30 July 1965) was a Japanese author who is considered to be one of the most prominent figures in modern Japanese literature. The tone and subject matter of his work ranges from shocking depictions of sexuality and destructive erotic obsessions to subtle portrayals of the dynamics of family life within the context of the rapid changes in 20th-century Japanese society. Frequently, his stories are narrated in the context of a search for cultural identity in which constructions of the West and Japanese tradition are juxtaposed.
He was one of six authors on the final shortlist for the Nobel Prize in Literature in 1964, the year before his death.