Jonathan Coe Quote

[...] these questions gave way, in the course of time, to a different preoccupation, namely, a slow and growing awareness of familiarity with the landscape into which she was being carried. A familiarity based not on the sighting of particular landmarks, but on her feeling that the very contours of the hills and fields, and the very shapes and colours of the buildings, now appeared as surviving monuments to the existence of a much earlier self whom she had long forgotten. She knew, of course, that they could not bring that self back to life, perish the thought, but they reminded her of it in a way which she did not find disagreeable.

Jonathan Coe

[...] these questions gave way, in the course of time, to a different preoccupation, namely, a slow and growing awareness of familiarity with the landscape into which she was being carried. A familiarity based not on the sighting of particular landmarks, but on her feeling that the very contours of the hills and fields, and the very shapes and colours of the buildings, now appeared as surviving monuments to the existence of a much earlier self whom she had long forgotten. She knew, of course, that they could not bring that self back to life, perish the thought, but they reminded her of it in a way which she did not find disagreeable.

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About Jonathan Coe

Jonathan Coe (; born 19 August 1961) is an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! (1994) reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources that was carried out by Margaret Thatcher's Conservative governments of the 1980s.