John le Carre Quote
An undertaker contemplates his funeral, the rich man his destitution, the gaoler his imprisonment, the debauchee his impotence. An actor’s greatest terror, I am told, is to watch the theatre empty itself while he wrestles in a void for his lines, and what else is that but a premature vision of his dying? For the civil servant, it is the moment when his protective walls of privilege collapse around him and he finds himself no safer than the next man, exposed to the gaze of the overt world, answering like a lying husband for his laxities and evasions.
John le Carre
An undertaker contemplates his funeral, the rich man his destitution, the gaoler his imprisonment, the debauchee his impotence. An actor’s greatest terror, I am told, is to watch the theatre empty itself while he wrestles in a void for his lines, and what else is that but a premature vision of his dying? For the civil servant, it is the moment when his protective walls of privilege collapse around him and he finds himself no safer than the next man, exposed to the gaze of the overt world, answering like a lying husband for his laxities and evasions.
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About John le Carre
Le Carré's third novel, The Spy Who Came in from the Cold (1963), became an international best-seller, was adapted as an award-winning film, and remains one of his best-known works. This success allowed him to leave MI6 to become a full-time author. His other novels that have been adapted for film or television include The Looking Glass War (1965), Tinker Tailor Soldier Spy (1974), Smiley's People (1979), The Little Drummer Girl (1983), The Russia House (1989), The Night Manager (1993), The Tailor of Panama (1996), The Constant Gardener (2001), A Most Wanted Man (2008) and Our Kind of Traitor (2010). In 2008, The Times named le Carré one of the "50 greatest British writers since 1945". Philip Roth said that A Perfect Spy (1986) was "the best English novel since the war".