Joan Didion Quote
I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of sin–this sense that it was possible to go too far, and that many people were doing it–this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.
Joan Didion
I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of sin–this sense that it was possible to go too far, and that many people were doing it–this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full.
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About Joan Didion
Joan Didion (; December 5, 1934 – December 23, 2021) was an American writer and journalist. She is considered one of the pioneers of New Journalism, along with Gay Talese, Truman Capote, Norman Mailer, Hunter S. Thompson, and Tom Wolfe.
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. She went on to publish essays in The Saturday Evening Post, National Review, Life, Esquire, The New York Review of Books, and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest that the Central Park Five had been wrongfully convicted.
With her husband John Gregory Dunne, Didion wrote screenplays including The Panic in Needle Park (1971), A Star Is Born (1976), and Up Close & Personal (1996). In 2005, she won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the sudden death of her husband. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the 2017 Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne.
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. She went on to publish essays in The Saturday Evening Post, National Review, Life, Esquire, The New York Review of Books, and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest that the Central Park Five had been wrongfully convicted.
With her husband John Gregory Dunne, Didion wrote screenplays including The Panic in Needle Park (1971), A Star Is Born (1976), and Up Close & Personal (1996). In 2005, she won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the sudden death of her husband. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the 2017 Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne.