Jeffrey Eugenides Quote

Emotions, in my experience, aren't covered by single words. I don't believe in sadness, joy, or regret. Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, the happiness that attends disaster. Or: the disappointment of sleeping with one's fantasy. I'd like to show how intimations of mortality brought on by aging family members connects with the hatred of mirrors that begins in middle age. I'd like to have a word for the sadness inspired by failing restaurants as well as for the excitement of getting a room with a minibar. I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my world. Not my America. But here we are, at last.

Jeffrey Eugenides

Emotions, in my experience, aren't covered by single words. I don't believe in sadness, joy, or regret. Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train car constructions like, say, the happiness that attends disaster. Or: the disappointment of sleeping with one's fantasy. I'd like to show how intimations of mortality brought on by aging family members connects with the hatred of mirrors that begins in middle age. I'd like to have a word for the sadness inspired by failing restaurants as well as for the excitement of getting a room with a minibar. I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. I can't just sit back and watch from a distance anymore. From here on in, everything I'll tell you is colored by the subjective experience of being part of events. Here's where my story splits, divides, undergoes meiosis. Already the world feels heavier, now I'm a part of it. I'm talking about bandages and sopped cotton, the smell of mildew in movie theaters, and of all the lousy cats and their stinking litter boxes, of rain on city streets when the dust comes up and the old Italian men take their folding chairs inside. Up until now it hasn't been my world. Not my America. But here we are, at last.

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About Jeffrey Eugenides

Jeffrey Kent Eugenides (born March 8, 1960) is an American author. He has written numerous short stories and essays, as well as three novels: The Virgin Suicides (1993), Middlesex (2002), and The Marriage Plot (2011). The Virgin Suicides served as the basis of the 1999 film of the same name, while Middlesex received the 2003 Pulitzer Prize for Fiction in addition to being a finalist for the National Book Critics Circle Award, the International Dublin Literary Award, and France's Prix Médicis.