Ian Mcewan Quote
She left the cafe, and as she walked along the Common she felt the distance widen between her and another self, no less real, who was walking back toward the hospital. Perhaps the Briony who was walking in the direction of Balham was the imagined or ghostly persona. This unreal feeling was heightened when, after half an hour, she reached another High Street, more or less the same as the one she had left behind. That was all London was beyond its center, an agglomeration of dull little towns. She made a resolution never to live in any of them.
Ian Mcewan
She left the cafe, and as she walked along the Common she felt the distance widen between her and another self, no less real, who was walking back toward the hospital. Perhaps the Briony who was walking in the direction of Balham was the imagined or ghostly persona. This unreal feeling was heightened when, after half an hour, she reached another High Street, more or less the same as the one she had left behind. That was all London was beyond its center, an agglomeration of dull little towns. She made a resolution never to live in any of them.
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About Ian Mcewan
McEwan began his career writing sparse, Gothic short stories. His first two novels, The Cement Garden (1978) and The Comfort of Strangers (1981), earned him the nickname "Ian Macabre". These were followed by three novels of some success in the 1980s and early 1990s. His novel Enduring Love was adapted into a film of the same name. He won the Booker Prize with Amsterdam (1998). His next novel, Atonement, garnered acclaim and was adapted into an Oscar-winning film featuring Keira Knightley and James McAvoy. His later novels have included The Children Act, Nutshell, and Machines Like Me. He was awarded the 1999 Shakespeare Prize, and the 2011 Jerusalem Prize.