Ian Mcewan Quote
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Over a quarter of a century ago she and Vernon had made a household for almost a year, in a tiny rooftop flat on the rue de Seine. There were always damp towels on the floor then, and cataracts of her underwear tumbling from drawers she never closed, a big ironing board that was never folded away, and in the one overfilled wardrobe dresses , crushed and shouldering sideways like commuters on the metro. Magazines, makeup, bank statements, bead necklaces, flowers, knickers, ashtrays, invitations, tampons, LPs, airplane tickets, high heeled shoes- not a single surface was left uncovered by something of Molly's, so that when Vernon was meant to be working at home, he took to writing in a cafe along the street. And yet each morning she arose fresh from the shell of this girly squalor, like a Botticelli Venus, to present herself, not naked, of course, but sleekly groomed, at the offices of Paris Vogue.
Related Quotes
About Ian Mcewan
McEwan began his career writing sparse, Gothic short stories. His first two novels, The Cement Garden (1978) and The Comfort of Strangers (1981), earned him the nickname "Ian Macabre". These were followed by three novels of some success in the 1980s and early 1990s. His novel Enduring Love was adapted into a film of the same name. He won the Booker Prize with Amsterdam (1998). His next novel, Atonement, garnered acclaim and was adapted into an Oscar-winning film featuring Keira Knightley and James McAvoy. His later novels have included The Children Act, Nutshell, and Machines Like Me. He was awarded the 1999 Shakespeare Prize, and the 2011 Jerusalem Prize.