Hunter S. Thompson Quote

Far from being freaks, the Hell's Angels are a logical product of the culture that now claims to be shocked at their existence. The generation represented by the editors of Time has lived so long in a world full of Celluloid outlaws hustling toothpaste and hair oil that it is no longer capable of confronting the real thing. For twenty years they have sat with their children and watched yesterday's outlaws raise hell with yesterday's world ... and now they are bringing up children who think Jesse James is a television character. This is the generation that went to war for Mom, God and Apple Butter, the American Way of Life. When they came back, they crowned Eisenhower and then retired to the giddy comfort of their TV parlors, to cultivate the subtleties of American history as seen by Hollywood.

Hunter S. Thompson

Far from being freaks, the Hell's Angels are a logical product of the culture that now claims to be shocked at their existence. The generation represented by the editors of Time has lived so long in a world full of Celluloid outlaws hustling toothpaste and hair oil that it is no longer capable of confronting the real thing. For twenty years they have sat with their children and watched yesterday's outlaws raise hell with yesterday's world ... and now they are bringing up children who think Jesse James is a television character. This is the generation that went to war for Mom, God and Apple Butter, the American Way of Life. When they came back, they crowned Eisenhower and then retired to the giddy comfort of their TV parlors, to cultivate the subtleties of American history as seen by Hollywood.

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About Hunter S. Thompson

Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author. He rose to prominence with the publication of Hell's Angels (1967), a book for which he spent a year living with the Hells Angels motorcycle club to write a first-hand account of their lives and experiences. In 1970, he wrote an unconventional article titled "The Kentucky Derby Is Decadent and Depraved" for Scanlan's Monthly, which further raised his profile as a countercultural figure. It also set him on the path to establishing his own subgenre of New Journalism that he called "Gonzo", a journalistic style in which the writer becomes a central figure and participant in the events of the narrative.
Thompson remains best known for Fear and Loathing in Las Vegas (1972), a book first serialized in Rolling Stone in which he grapples with the implications of what he considered the failure of the 1960s counterculture movement. It was adapted for film twice: loosely in 1980 in Where the Buffalo Roam and explicitly in 1998 in Fear and Loathing in Las Vegas.
Thompson ran unsuccessfully for sheriff of Pitkin County, Colorado in 1970 on the Freak Power ticket. He became known for his intense dislike of Richard Nixon, who he claimed represented "that dark, venal, and incurably violent side of the American character". He covered George McGovern's 1972 presidential campaign for Rolling Stone and later collected the stories in book form as Fear and Loathing: On the Campaign Trail '72 (1973).
Starting in the mid-1970s, Thompson's output declined, as he struggled with the consequences of fame and substance abuse, and failed to complete several high-profile assignments for Rolling Stone. For much of the late 1980s and early 1990s, he worked as a columnist for the San Francisco Examiner. Most of his work from 1979 to 1994 was collected in The Gonzo Papers. He continued to write sporadically for various outlets, including Rolling Stone, Playboy, Esquire, and ESPN.com until the end of his life.
Thompson was known for his lifelong use of alcohol and illegal drugs, his love of firearms, and his iconoclastic contempt for authority. He often remarked: "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me." Thompson died by suicide at the age of 67, following a series of health problems. Hari Kunzru wrote, "The true voice of Thompson is revealed to be that of American moralist ... one who often makes himself ugly to expose the ugliness he sees around him."