Flannery O'Connor Quote
I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
Flannery O'Connor
I don't think literature would be possible in a determined world. We might go through the motions but the heart would be out of it. Nobody could then 'smile darkly and ignore the howls.' Even if there were no Church to teach me this, writing two novels would do it. I think the more you write, the less inclined you will be to rely on theories like determinism. Mystery isn't something that is gradually evaporating. It grows along with knowledge.
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About Flannery O'Connor
Mary Flannery O'Connor (March 25, 1925 – August 3, 1964) was an American novelist, short story writer, and essayist. She wrote two novels and 31 short stories, as well as a number of reviews and commentaries.
O'Connor was a Southern writer who often wrote in a sardonic Southern Gothic style. She relied heavily on regional settings and grotesque characters, often in violent situations. In her writing, an unsentimental acceptance or rejection of the limitations, imperfections or differences of these characters (whether attributed to disability, race, crime, religion or sanity) typically underpins the drama.
O'Connor's writing often reflects her Catholic faith, and frequently examines questions of morality and ethics. Her posthumously compiled Complete Stories won the 1972 U.S. National Book Award for Fiction and has been the subject of enduring praise.
O'Connor was a Southern writer who often wrote in a sardonic Southern Gothic style. She relied heavily on regional settings and grotesque characters, often in violent situations. In her writing, an unsentimental acceptance or rejection of the limitations, imperfections or differences of these characters (whether attributed to disability, race, crime, religion or sanity) typically underpins the drama.
O'Connor's writing often reflects her Catholic faith, and frequently examines questions of morality and ethics. Her posthumously compiled Complete Stories won the 1972 U.S. National Book Award for Fiction and has been the subject of enduring praise.