Edward Gorey Quote

We did I think talk about your feeling of it's fun to be square, and while I'll go along with the Borges-like ramifications, I don't think I was the one who thought it up. In the past my justification for my self-conscious oddness of appearance (by now I figure this is the way I look, and it would not only be more self-conscious but also uncomfortable to change) was that people would think their impression of oddity came simply from the way I looked, and eventually become (hopefully) pleasantly surprised that I was not nearly as much of a nut as I looked, and was really quite ordinary, which is also true I think. It seemed preferable to people thinking 'Well, he looked perfectly ordinary and then it became apparent there was something wrong with his head...' Of course now practically everybody to my middle aged way of thinking looks too peculiar for words, and only very infrequently attractive at the same time.

Edward Gorey

We did I think talk about your feeling of it's fun to be square, and while I'll go along with the Borges-like ramifications, I don't think I was the one who thought it up. In the past my justification for my self-conscious oddness of appearance (by now I figure this is the way I look, and it would not only be more self-conscious but also uncomfortable to change) was that people would think their impression of oddity came simply from the way I looked, and eventually become (hopefully) pleasantly surprised that I was not nearly as much of a nut as I looked, and was really quite ordinary, which is also true I think. It seemed preferable to people thinking 'Well, he looked perfectly ordinary and then it became apparent there was something wrong with his head...' Of course now practically everybody to my middle aged way of thinking looks too peculiar for words, and only very infrequently attractive at the same time.

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About Edward Gorey

Edward St. John Gorey (February 22, 1925 – April 15, 2000) was an American writer, Tony Award-winning costume designer, and artist, noted for his own illustrated books as well as cover art and illustration for books by other writers. His characteristic pen-and-ink drawings often depict vaguely unsettling narrative scenes in Victorian and Edwardian settings.