Diane Setterfield Quote

That first second was long and confusing. The second, when it finally came, was sudden. The figure froze . . . swiveled . . . rose . . . and I knew. Miss Winter’s eyes. Brilliant, supernatural green. But not Miss Winter’s face. A patchwork of scarred and mottled flesh, crisscrossed by crevices deeper than age could make. Two uneven dumplings of cheeks. Lopsided lips, one half a perfect bow that told of former beauty, the other a twisted graft of white flesh. Emmeline! Miss Winter’s twin! Alive, and living in this house! My mind was in turmoil; blood was pounding in my ears; shock paralyzed me. She stared at me unblinking, and I realized she was less startled than I was. But still, she seemed to be under the same spell as me. We were both cast into immobility. She was the first to recover. In an urgent gesture she raised a dark, soil-covered hand toward me and, in a hoarse voice, rasped a string of senseless sounds. Bewilderment slowed my responses; I could not even stammer her name before she turned and hurried away, leaning forward, shoulders hunched. From out of the shadows emerged the cat. He stretched calmly and, ignoring me, took himself off after her. They disappeared under the arch and I was alone. Me and a patch of churned-up soil. Foxes indeed.

Diane Setterfield

That first second was long and confusing. The second, when it finally came, was sudden. The figure froze . . . swiveled . . . rose . . . and I knew. Miss Winter’s eyes. Brilliant, supernatural green. But not Miss Winter’s face. A patchwork of scarred and mottled flesh, crisscrossed by crevices deeper than age could make. Two uneven dumplings of cheeks. Lopsided lips, one half a perfect bow that told of former beauty, the other a twisted graft of white flesh. Emmeline! Miss Winter’s twin! Alive, and living in this house! My mind was in turmoil; blood was pounding in my ears; shock paralyzed me. She stared at me unblinking, and I realized she was less startled than I was. But still, she seemed to be under the same spell as me. We were both cast into immobility. She was the first to recover. In an urgent gesture she raised a dark, soil-covered hand toward me and, in a hoarse voice, rasped a string of senseless sounds. Bewilderment slowed my responses; I could not even stammer her name before she turned and hurried away, leaning forward, shoulders hunched. From out of the shadows emerged the cat. He stretched calmly and, ignoring me, took himself off after her. They disappeared under the arch and I was alone. Me and a patch of churned-up soil. Foxes indeed.

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About Diane Setterfield

Diane Setterfield (born 22 August 1964) is an English author whose 2006 debut novel, The Thirteenth Tale, became a New York Times No. 1 best-seller. Setterfield won the 2007 Quill Award, debut author of the year, for the novel. It is written in the Gothic tradition, with echoes of Brontë sisters' Jane Eyre (1847) and Wuthering Heights (1847).
The rights were acquired by David Heyman at Heyday Films and the novel was adapted for television by Christopher Hampton. Starring Vanessa Redgrave, Olivia Colman, and Sophie Turner, The Thirteenth Tale was televised on BBC Two in December 2013.
Diane Setterfield's second novel, Bellman & Black, was published in 2013 by Emily Bestler Books/Atria in the United States and by Orion in the UK. Her third novel, Once Upon a River, was published in 2018.
Before writing, Setterfield studied French literature at the University of Bristol, earning a bachelor of arts in 1986 and a PhD in 1993. Setterfield's PhD is on "autobiographical structures in André Gide's early fiction." Setterfield taught at schools as well as privately before leaving teaching in the late 1990s.
Setterfield grew up in Theale, Berkshire. She lives in Oxford, England.