Diane Setterfield Quote

Held out to me a closed fist that seemed three-quarters precious stones in their clawlike settings. In a movement that spoke of great effort, she turned her hand and opened it, as though she had some surprise gift concealed and was about to offer it to me. But there was no gift. The surprise was the hand itself. The flesh of her palm was like no flesh I had seen before. Its whitened ridges and purple furrows bore no relation to the pink mound at the base of my fingers, the pale valley of my palm. Melted by fire, her flesh had cooled into an entirely unrecognizable landscape, like a scene left permanently altered by the passage of a flow of lava. Her fingers did not lie open but were drawn into a claw by the shrunken tightness of the scar tissue. In the heart of her palm, scar within a scar, burn inside burn, was a grotesque mark. It was set very deep in her clutch, so deep that with a sudden nausea I wondered what had happened to the bone that should be there. It made sense of the odd set of the hand at the wrist, the way it seemed to weigh upon her arm as though it had no life of its own. The mark was a circle embedded in her palm, and extending from it, in the direction of the thumb, a short line.

Diane Setterfield

Held out to me a closed fist that seemed three-quarters precious stones in their clawlike settings. In a movement that spoke of great effort, she turned her hand and opened it, as though she had some surprise gift concealed and was about to offer it to me. But there was no gift. The surprise was the hand itself. The flesh of her palm was like no flesh I had seen before. Its whitened ridges and purple furrows bore no relation to the pink mound at the base of my fingers, the pale valley of my palm. Melted by fire, her flesh had cooled into an entirely unrecognizable landscape, like a scene left permanently altered by the passage of a flow of lava. Her fingers did not lie open but were drawn into a claw by the shrunken tightness of the scar tissue. In the heart of her palm, scar within a scar, burn inside burn, was a grotesque mark. It was set very deep in her clutch, so deep that with a sudden nausea I wondered what had happened to the bone that should be there. It made sense of the odd set of the hand at the wrist, the way it seemed to weigh upon her arm as though it had no life of its own. The mark was a circle embedded in her palm, and extending from it, in the direction of the thumb, a short line.

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About Diane Setterfield

Diane Setterfield (born 22 August 1964) is an English author whose 2006 debut novel, The Thirteenth Tale, became a New York Times No. 1 best-seller. Setterfield won the 2007 Quill Award, debut author of the year, for the novel. It is written in the Gothic tradition, with echoes of Brontë sisters' Jane Eyre (1847) and Wuthering Heights (1847).
The rights were acquired by David Heyman at Heyday Films and the novel was adapted for television by Christopher Hampton. Starring Vanessa Redgrave, Olivia Colman, and Sophie Turner, The Thirteenth Tale was televised on BBC Two in December 2013.
Diane Setterfield's second novel, Bellman & Black, was published in 2013 by Emily Bestler Books/Atria in the United States and by Orion in the UK. Her third novel, Once Upon a River, was published in 2018.
Before writing, Setterfield studied French literature at the University of Bristol, earning a Bachelor of Arts in 1986 and a PhD in 1993. Setterfield's PhD is on "autobiographical structures in André Gide's early fiction." Setterfield taught at schools as well as privately before leaving teaching in the late 1990s.
Setterfield grew up in Theale, Berkshire. She lives in Oxford, England.