D.H. Lawrence Quote
The mighty question arises upon us, what is one's own real self? It certainly is not what we think we are and ought to be.
D.H. Lawrence
The mighty question arises upon us, what is one's own real self? It certainly is not what we think we are and ought to be.
Tags:
self
Related Quotes
Certainly we can say that the pace of modern life, increased and supported by our technology in general and our personal electronics in particular, has resulted in a short attention span and an addict...
Arthur Rosenfeld
Tags:
being, complicated, critical thinking, daoism, emotion, feeling, hectic, life, meditation, modern life
To begin to know ourselves we must have sincere conversations with ourselves as if with a good friend. We must answer without reserve, listen without judgement, and accept without condition. That is s...
Kamand Kojouri
Tags:
accept, acceptance, answer, ask, begin, better, betterment, compassion, compassionate, condition
About D.H. Lawrence
David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels – Sons and Lovers
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.