David Mamet Quote
The Chicago literary tradition is born not out of its Universities, but out of the sports desk and the city desk of its newspapers. Hemingway revolutionized English prose. His inspiration was the telegraph, whose use, at Western Union, taught this: every word costs something, This, of course, is the essence of poetry, which is the essence of great prose. Chicagoan literature came from the newspaper, whose purpose, in those days, was to Tell What Happened. Hemingway's epiphany was reported, earlier, by Keats as 'Beauty is truth, truth beauty' --that is all ye know earth, and all ye need to know. I would add to Keats' summation only this: Don't let the other fellow piss on your back and tell you it's raining. I believe one might theoretically forgive one who cheats at business, but never one who cheats at cards; for business adversaries operate at arm's length, the cardplayer under the strict rules of the game, period. That was my first political epiphany. And now, I have written a political book.
The Chicago literary tradition is born not out of its Universities, but out of the sports desk and the city desk of its newspapers. Hemingway revolutionized English prose. His inspiration was the telegraph, whose use, at Western Union, taught this: every word costs something, This, of course, is the essence of poetry, which is the essence of great prose. Chicagoan literature came from the newspaper, whose purpose, in those days, was to Tell What Happened. Hemingway's epiphany was reported, earlier, by Keats as 'Beauty is truth, truth beauty' --that is all ye know earth, and all ye need to know. I would add to Keats' summation only this: Don't let the other fellow piss on your back and tell you it's raining. I believe one might theoretically forgive one who cheats at business, but never one who cheats at cards; for business adversaries operate at arm's length, the cardplayer under the strict rules of the game, period. That was my first political epiphany. And now, I have written a political book.
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About David Mamet
Feature films that Mamet both wrote and directed include House of Games (1987), Homicide (1991), The Spanish Prisoner (1997), and his biggest commercial success, Heist (2001). His screenwriting credits include The Postman Always Rings Twice (1981), The Verdict (1982), The Untouchables (1987), Hoffa (1992), Wag the Dog (1997), and Hannibal (2001). Mamet himself wrote the screenplay for the 1992 adaptation of Glengarry Glen Ross, and wrote and directed the 1994 adaptation of his play Oleanna (1992). He created and produced the CBS series The Unit (2006–2009).
Mamet's books include: On Directing Film (1991), a commentary and dialogue about film-making; The Old Religion (1997), a novel about the lynching of Leo Frank; Five Cities of Refuge: Weekly Reflections on Genesis, Exodus, Leviticus, Numbers and Deuteronomy (2004), a Torah commentary with Rabbi Lawrence Kushner; The Wicked Son (2006), a study of Jewish self-hatred and antisemitism; Bambi vs. Godzilla, a commentary on the movie business; The Secret Knowledge: On the Dismantling of American Culture (2011), a commentary on cultural and political issues; Three War Stories (2013), a trio of novellas about the physical and psychological effects of war; and Everywhere an Oink Oink: An Embittered, Dyspeptic, and Accurate Report of Forty Years in Hollywood (2023), an autobiographical account of his experiences in Hollywood.