David Foster Wallace Quote

But just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going

David Foster Wallace

But just the very tips of the fingers, here, the most sensitive parts, the parts bathed in warm oil, the whorled pads, I feel them singing with nerves and blood I let them extend… further than the warm silver hip-flask’s cap’s very top down its broadening cone where to where the threads around the upraised little circular mouth lie hidden while with the other warm singing hand I gently grip the leather holster so I can feel the way the whole flask feels as I guide… guide the cap around on its silver threads, hear that? stop that and listen, hear that? the sound of threads moving through well-machined grooves, with great care, a smooth barbershop spiral, my whole hand right through the pads of my fingertips less… less unscrewing, here, than guiding, persuading, reminding the silver cap’s body what it’s built to do, machined to do, the silver cap knows, Jim, I know, you know, we’ve been through this before, leave the book alone, boy, it’s not going anywhere, so the silver cap leaves the flask’s mouth’s warm grooved lips with just a snick, hear that? that faintest snick? not a rasp or a grinding sound or harsh, not a harsh brutal Brando-esque rasp of attempted domination but a snick a… nuance, there, ah, oh, like the once you’ve heard it never mistakable ponk of a true-hit ball, Jim, well pick it up then if you’re afraid of a little dust, Jim, pick the book up if it’s going

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About David Foster Wallace

David Foster Wallace (February 21, 1962 – September 12, 2008) was an American novelist, short story writer, essayist, and university professor of English and creative writing. Wallace's 1996 novel Infinite Jest was cited by Time magazine as one of the 100 best English-language novels from 1923 to 2005. His posthumous novel, The Pale King (2011), was a finalist for the Pulitzer Prize for Fiction in 2012. The Los Angeles Times's David Ulin called Wallace "one of the most influential and innovative writers of the last twenty years".
Wallace grew up in Illinois and attended Amherst College. He taught English at Emerson College, Illinois State University, and Pomona College. After struggling with depression for many years, he died by suicide in 2008, at age 46.