Daphne du Maurier Quote
She had changed into another mourning gown, cut somewhat fuller than the other, and instead of a hat she had wound her black lace shawl about her hair for covering. She was talking to Wellington, her profile turned to me, and got some reason or other I remembered what she had said the night before about Ambrose teasing her, how he had told her once that she reeked of old Rome. I think I knew now what he meant. Her features were like those stamped on a Roman coin, definite, yet small; and now with that lace shawl wound about her hair I was reminded of the women I had seen kneeling in that cathedral in Florence, or lurking in the doorways of the silent houses.
She had changed into another mourning gown, cut somewhat fuller than the other, and instead of a hat she had wound her black lace shawl about her hair for covering. She was talking to Wellington, her profile turned to me, and got some reason or other I remembered what she had said the night before about Ambrose teasing her, how he had told her once that she reeked of old Rome. I think I knew now what he meant. Her features were like those stamped on a Roman coin, definite, yet small; and now with that lace shawl wound about her hair I was reminded of the women I had seen kneeling in that cathedral in Florence, or lurking in the doorways of the silent houses.
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About Daphne du Maurier
Although du Maurier is classed as a romantic novelist, her stories have been described as "moody and resonant" with overtones of the paranormal. Her bestselling works were not at first taken seriously by critics, but they have since earned an enduring reputation for narrative craft. Many have been successfully adapted into films, including the novels Rebecca, Frenchman's Creek, My Cousin Rachel and Jamaica Inn, and the short stories "The Birds" and "Don't Look Now". Du Maurier spent much of her life in Cornwall, where most of her works are set. As her fame increased, she became more reclusive.