Daniel Pennac Quote

We human beings build houses because we're alive but we write books because we're mortal. We live in groups because we're sociable but we read because we know we're alone. Reading offers a kind of companionship that takes no one's place but that no one can replace either. It offers no definitive explanation of our destiny but links us inextricably to life. Its tiny secret links remind us of how paradoxically happy we are to be alive while illuminating how tragically absurd life is.

Daniel Pennac

We human beings build houses because we're alive but we write books because we're mortal. We live in groups because we're sociable but we read because we know we're alone. Reading offers a kind of companionship that takes no one's place but that no one can replace either. It offers no definitive explanation of our destiny but links us inextricably to life. Its tiny secret links remind us of how paradoxically happy we are to be alive while illuminating how tragically absurd life is.

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About Daniel Pennac

Daniel Pennac (real name Daniel Pennacchioni, born 1 December 1944 in Casablanca, Morocco) is a French writer. He received the Prix Renaudot in 2007 for his essay Chagrin d'école.
Daniel Pennacchioni is the fourth and last son of a Corsican and Provençal family. His father was a polytechnicien who became an officer of the colonial army, reaching the rank of general at retirement and his mother, a housewife, was a self-taught reader. His childhood was spent wherever his father was stationed, in Africa (Djibouti, Ethiopia, Algeria, Equatorial Africa), Southeast Asia (Indochina) and France (including La Colle-sur-Loup). His father's love for poetry gave him a taste for books that he quickly devoured in the family library or at school
After studying in Nice he became a teacher. He began to write for children, including his series "La Saga Malaussène", which tells the story of Benjamin Malaussène, a scapegoat, and his family in Belleville, Paris. In a 1997 piece for Le Monde, Pennac stated that Malaussène's youngest brother, Le Petit, was the son of Jerome Charyn's New York detective, Isaac Sidel.
His writing style can be humorous and imaginative as in "La Saga Malaussène", or scholarly, as exemplified by the essay "Comme un roman." His comic Débauche, written jointly with Jacques Tardi, deals with unemployment.