Algernon Charles Swinburne Quote
Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread,As a god self-slain on his own strange altar, Death lies dead.
Algernon Charles Swinburne
Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread,As a god self-slain on his own strange altar, Death lies dead.
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About Algernon Charles Swinburne
Algernon Charles Swinburne (5 April 1837 – 10 April 1909) was an English poet, playwright, novelist, and critic. He was a major contributor to the Pre-Raphaelite movement in poetry, along with Dante Gabriel Rossetti and William Morris. His greatest works are the verse drama Atalanta in Calydon (1865), written in the form of an Ancient Greek tragedy, and his Pre-Raphaelite Poems and Ballads (1866).
In his poetry, Swinburne rebelled against the Christian morality of the Victorian era, drawing from classical, medieval, and Renaissance sources to explore atheism in "Hymn to Proserpine," suicide in "The Triumph of Time," queer desire in "Anactoria," and sadomasochism in "Dolores." While Swinburne's work attracted scandal, it had many prominent Victorian defenders, including John Ruskin.
Swinburne's poetic style—rhythmic, alliterative, and sensual—drew critical acclaim and moral condemnation during his lifetime. His poems are often complex, working double rhymes and anapestic meter into intricate stanzas. Swinburne's style was shaped by that of the French poet Charles Baudelaire, author of the notorious Les Fleurs du mal, for whom Swinburne wrote the poetic eulogy "Ave Atque Vale."
Swinburne was nominated for the Nobel Prize in Literature every year from 1903 to 1909. After the death of Alfred, Lord Tennyson in 1892, Swinburne was considered for the post of Poet Laureate of the United Kingdom, but was disqualified by Queen Victoria on moral grounds. Swinburne's writings deeply influenced later Aesthetic and Decadent poets of the fin de siecle, such as Oscar Wilde and Ernest Dowson.
In his poetry, Swinburne rebelled against the Christian morality of the Victorian era, drawing from classical, medieval, and Renaissance sources to explore atheism in "Hymn to Proserpine," suicide in "The Triumph of Time," queer desire in "Anactoria," and sadomasochism in "Dolores." While Swinburne's work attracted scandal, it had many prominent Victorian defenders, including John Ruskin.
Swinburne's poetic style—rhythmic, alliterative, and sensual—drew critical acclaim and moral condemnation during his lifetime. His poems are often complex, working double rhymes and anapestic meter into intricate stanzas. Swinburne's style was shaped by that of the French poet Charles Baudelaire, author of the notorious Les Fleurs du mal, for whom Swinburne wrote the poetic eulogy "Ave Atque Vale."
Swinburne was nominated for the Nobel Prize in Literature every year from 1903 to 1909. After the death of Alfred, Lord Tennyson in 1892, Swinburne was considered for the post of Poet Laureate of the United Kingdom, but was disqualified by Queen Victoria on moral grounds. Swinburne's writings deeply influenced later Aesthetic and Decadent poets of the fin de siecle, such as Oscar Wilde and Ernest Dowson.