W.H. Auden Quote
What is peculiar and novel to our age is that the principal goal of politics in every advanced society is not, strictly speaking, a political one, that is today, it is not concerned with human beings as persons and citizens, but with human bodies. ... In all technologically advanced countries today, whatever political label they give themselves, their policies have, essentially, the same goal: to guarantee to every member of society, as a psychophysical organism, the right to physical and mental health.
W.H. Auden
What is peculiar and novel to our age is that the principal goal of politics in every advanced society is not, strictly speaking, a political one, that is today, it is not concerned with human beings as persons and citizens, but with human bodies. ... In all technologically advanced countries today, whatever political label they give themselves, their policies have, essentially, the same goal: to guarantee to every member of society, as a psychophysical organism, the right to physical and mental health.
Tags:
coercion, collectivism, doctors, free markets, freedom, health care, laissez faire, libertarian, liberty, medicine
Related Quotes
For the most part, people strenuously resist any redefinition of morality, because it shakes them to the very core of their being to think that in pursuing virtue they may have been feeding vice, or i...
Stefan Molyneux
Tags:
anarchy, ancap, belief, brainwashing, coercion, critical thinking, dangerous, education, ethics, evidence
It's WW2 and there are wage controls in place. Instead of health care, companies decide to offer employees shoes. Having absorbed those costs, they later lobby for every company to be required to offe...
Jeffrey Tucker
Tags:
anarcho capitalism, anarchy, coercion, collectivism, communism, economics, free, free markets, freedom, government
Dear Anarcho-Communist,If you and I ever find ourselves in a stateless society, have no fear. Just mention that you are a communist, and I promise I will never try to "oppress" and "exploit" you by of...
Larken Rose
Tags:
anarcho capitalism, anarchy, ancap, ancom, coercion, collectivism, communism, freedom, laissez faire, libertarian
About W.H. Auden
Wystan Hugh Auden (; 21 February 1907 – 29 September 1973) was a British-American poet. Auden's poetry is noted for its stylistic and technical achievement, its engagement with politics, morals, love, and religion, and its variety in tone, form, and content. Some of his best known poems are about love, such as "Funeral Blues"; on political and social themes, such as "September 1, 1939" and "The Shield of Achilles"; on cultural and psychological themes, such as The Age of Anxiety; and on religious themes, such as "For the Time Being" and "Horae Canonicae".
Auden was born in York and grew up in and near Birmingham in a professional middle-class family. He attended various English independent (or public) schools and studied English at Christ Church, Oxford. After a few months in Berlin in 1928–29, he spent five years (1930–1935) teaching in British private preparatory schools. In 1939, he moved to the United States; he became an American citizen in 1946, retaining his British citizenship. Auden taught from 1941 to 1945 in American universities, followed by occasional visiting professorships in the 1950s.
Auden came to wide public attention in 1930 with his first book, Poems; it was followed in 1932 by The Orators. Three plays written in collaboration with Christopher Isherwood between 1935 and 1938 built his reputation as a left-wing political writer. Auden moved to the United States partly to escape this reputation, and his work in the 1940s, including the long poems "For the Time Being" and "The Sea and the Mirror", focused on religious themes. He won the Pulitzer Prize for Poetry for his 1947 long poem The Age of Anxiety, the title of which became a popular phrase describing the modern era. From 1956 to 1961, he was Professor of Poetry at Oxford; his lectures were popular with students and faculty and served as the basis for his 1962 prose collection The Dyer's Hand.
Auden was a prolific writer of prose essays and reviews on literary, political, psychological, and religious subjects, and he worked at various times on documentary films, poetic plays, and other forms of performance. Throughout his career he was both controversial and influential. Critical views on his work ranged from sharply dismissive (treating him as a lesser figure than W. B. Yeats and T. S. Eliot) to strongly affirmative (as in Joseph Brodsky's statement that he had "the greatest mind of the twentieth century"). After his death, his poems became known to a much wider public through films, broadcasts, and popular media.
Auden was born in York and grew up in and near Birmingham in a professional middle-class family. He attended various English independent (or public) schools and studied English at Christ Church, Oxford. After a few months in Berlin in 1928–29, he spent five years (1930–1935) teaching in British private preparatory schools. In 1939, he moved to the United States; he became an American citizen in 1946, retaining his British citizenship. Auden taught from 1941 to 1945 in American universities, followed by occasional visiting professorships in the 1950s.
Auden came to wide public attention in 1930 with his first book, Poems; it was followed in 1932 by The Orators. Three plays written in collaboration with Christopher Isherwood between 1935 and 1938 built his reputation as a left-wing political writer. Auden moved to the United States partly to escape this reputation, and his work in the 1940s, including the long poems "For the Time Being" and "The Sea and the Mirror", focused on religious themes. He won the Pulitzer Prize for Poetry for his 1947 long poem The Age of Anxiety, the title of which became a popular phrase describing the modern era. From 1956 to 1961, he was Professor of Poetry at Oxford; his lectures were popular with students and faculty and served as the basis for his 1962 prose collection The Dyer's Hand.
Auden was a prolific writer of prose essays and reviews on literary, political, psychological, and religious subjects, and he worked at various times on documentary films, poetic plays, and other forms of performance. Throughout his career he was both controversial and influential. Critical views on his work ranged from sharply dismissive (treating him as a lesser figure than W. B. Yeats and T. S. Eliot) to strongly affirmative (as in Joseph Brodsky's statement that he had "the greatest mind of the twentieth century"). After his death, his poems became known to a much wider public through films, broadcasts, and popular media.