Warren Ellis Quote

Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.

Warren Ellis

Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.

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About Warren Ellis

Warren Girard Ellis (born 16 February 1968) is an English comic book writer, novelist, and screenwriter. He is best known as the co-creator of several original comics series, including Transmetropolitan (1997–2002), Global Frequency (2002–2004) and Red (2003–2004), which was adapted into the feature films Red (2010) and Red 2 (2013). Ellis is the author of the novels Crooked Little Vein (2007) and Gun Machine (2013) and the novella Normal (2016).
A prolific comic book writer, Ellis has written several Marvel series, including Astonishing X-Men, Thunderbolts, Moon Knight and the "Extremis" story arc of Iron Man, which was the basis for the Marvel Cinematic Universe film Iron Man 3 (2013). Ellis created The Authority and Planetary for WildStorm, and wrote a run of Hellblazer for Vertigo and James Bond for Dynamite Entertainment. Ellis wrote the video games Hostile Waters (2001), Cold Winter (2005), and Dead Space (2008). He also wrote the animated TV movie G.I. Joe: Resolute (2009), wrote the English version of Marvel Anime (2010–2011), and served as the head writer on Netflix series Castlevania (2017–2021).
Ellis is well known for sociocultural commentary, both through his online presence and through his writing, which covers transhumanist (most notably nanotechnology, cryonics, mind transfer and human enhancement) and folkloric themes, often in combination with each other. He is a humanist and former patron of Humanists UK, a charity focused on promoting humanism and advancing secularism. He is a resident of Southend-on-Sea, England.