Victor Hugo Quote
The point which we consider it our duty to note is, that outside of and beyond his faith, as it were, the Bishop possessed an excess of love. In was in that quarter, quia multum amavit,—because he loved much—that he was regarded as vulnerable by serious men, grave persons and reasonable people; favorite locutions of our sad world where egotism takes its word of command from pedantry. What was this excess of love? It was a serene benevolence which overflowed men, as we have already pointed out, and which, on occasion, extended even to things. He lived without disdain. He was indulgent towards God's creation. Every man, even the best, has within him a thoughtless harshness which he reserves for animals. The Bishop of D—— had none of that harshness, which is peculiar to many priests, nevertheless. He did not go as far as the Brahmin, but he seemed to have weighed this saying of Ecclesiastes: Who knoweth whither the soul of the animal goeth? Hideousness of aspect, deformity of instinct, troubled him not, and did not arouse his indignation. He was touched, almost softened by them. It seemed as though he went thoughtfully away to seek beyond the bounds of life which is apparent, the cause, the explanation, or the excuse for them. He seemed at times to be asking God to commute these penalties. He examined without wrath, and with the eye of a linguist who is deciphering a palimpsest, that portion of chaos which still exists in nature. This revery sometimes caused him to utter odd sayings. One morning he was in his garden, and thought himself alone, but his sister was walking behind him, unseen by him: suddenly he paused and gazed at something on the ground; it was a large, black, hairy, frightful spider. His sister heard him say:—
The point which we consider it our duty to note is, that outside of and beyond his faith, as it were, the Bishop possessed an excess of love. In was in that quarter, quia multum amavit,—because he loved much—that he was regarded as vulnerable by serious men, grave persons and reasonable people; favorite locutions of our sad world where egotism takes its word of command from pedantry. What was this excess of love? It was a serene benevolence which overflowed men, as we have already pointed out, and which, on occasion, extended even to things. He lived without disdain. He was indulgent towards God's creation. Every man, even the best, has within him a thoughtless harshness which he reserves for animals. The Bishop of D—— had none of that harshness, which is peculiar to many priests, nevertheless. He did not go as far as the Brahmin, but he seemed to have weighed this saying of Ecclesiastes: Who knoweth whither the soul of the animal goeth? Hideousness of aspect, deformity of instinct, troubled him not, and did not arouse his indignation. He was touched, almost softened by them. It seemed as though he went thoughtfully away to seek beyond the bounds of life which is apparent, the cause, the explanation, or the excuse for them. He seemed at times to be asking God to commute these penalties. He examined without wrath, and with the eye of a linguist who is deciphering a palimpsest, that portion of chaos which still exists in nature. This revery sometimes caused him to utter odd sayings. One morning he was in his garden, and thought himself alone, but his sister was walking behind him, unseen by him: suddenly he paused and gazed at something on the ground; it was a large, black, hairy, frightful spider. His sister heard him say:—
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About Victor Hugo
His most famous works are the novels The Hunchback of Notre-Dame (1831) and Les Misérables (1862). In France, Hugo is renowned for his poetry collections, such as Les Contemplations and La Légende des siècles (The Legend of the Ages). Hugo was at the forefront of the Romantic literary movement with his play Cromwell and drama Hernani. His works have inspired music, both during his lifetime and after his death, including the opera Rigoletto and the musicals Les Misérables and Notre-Dame de Paris. He produced more than 4,000 drawings in his lifetime, and campaigned for social causes such as the abolition of capital punishment and slavery.
Although he was a committed royalist when young, Hugo's views changed as the decades passed, and he became a passionate supporter of republicanism, serving in politics as both deputy and senator. His work touched upon most of the political and social issues and the artistic trends of his time. His opposition to absolutism, and his literary stature, established him as a national hero. Hugo died on 22 May 1885, aged 83. He was given a state funeral in the Panthéon of Paris, which was attended by over two million people, the largest in French history.