Tom Stoppard Quote
Why do I have a sense of impending disaster? Sonders is after my niece and has discovered the secret address where I am sending her to the safe keeping of my sister-in-law Miss Blumenblatt, who has never laid eyes on him, or, for that matter, on Marie either since she was a baby—while I have to leave my business in the charge of my assistant and an apprentice, and follow my new servant, whom I haven't had time to introduce to anyone, to town to join the parade and take my fiancée to dinner in a uniform I can't sit down in.One false move and we could have a farce on our hands.
Tom Stoppard
Why do I have a sense of impending disaster? Sonders is after my niece and has discovered the secret address where I am sending her to the safe keeping of my sister-in-law Miss Blumenblatt, who has never laid eyes on him, or, for that matter, on Marie either since she was a baby—while I have to leave my business in the charge of my assistant and an apprentice, and follow my new servant, whom I haven't had time to introduce to anyone, to town to join the parade and take my fiancée to dinner in a uniform I can't sit down in.One false move and we could have a farce on our hands.
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About Tom Stoppard
Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright.
Stoppard's most prominent plays include Rosencrantz and Guildenstern Are Dead (1966), Jumpers (1972), Travesties (1974), Night and Day (1978), The Real Thing (1982), Arcadia (1993), The Invention of Love (1997), The Coast of Utopia (2002), Rock 'n' Roll (2006) and Leopoldstadt (2020). He wrote the screenplays for Brazil (1985), Empire of the Sun (1987), The Russia House (1990), Billy Bathgate (1991), Shakespeare in Love (1998), Enigma (2001), and Anna Karenina (2012), as well as the HBO limited series Parade's End (2013). He directed the film Rosencrantz and Guildenstern Are Dead (1990), an adaptation of his own 1966 play, with Gary Oldman and Tim Roth as the leads.
He has received numerous awards and honours including an Academy Award, a Laurence Olivier Award, and five Tony Awards. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture". It was announced in June 2019 that Stoppard had written a new play, Leopoldstadt, set in the Jewish community of early 20th-century Vienna. The play premiered in January 2020 at Wyndham's Theatre. The play went on to win the Laurence Olivier Award for Best New Play and later the 2022 Tony Award for Best Play.