Tom Stoppard Quote
LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed?NOAKES: The hermitage, my lady?LADY CROOM: It is a cowshed.NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney --LADY CROOM: And who is to live in it?NOAKES: Why, the hermit.LADY CROOM: Where is he?NOAKES: Madam?LADY CROOM: You surely do not supply an hermitage without a hermit?NOAKES: Indeed, madam --LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have?NOAKES: I have no hermits, my lady.LADY CROOM: Not one? I am speechless.NOAKES: I am sure a hermit can be found. One could advertise.LADY CROOM: Advertise?NOAKES: In the newspapers.LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.
LADY CROOM: ....My lake is drained to a ditch for no purpose I can understand, unless it be that snipe and curlew have deserted three counties so that they may be shot in our swamp. What you painted as forest is a mean plantation, your greenery is mud, your waterfall is wet mud, and your mount is an opencast mine for the mud that was lacking in the dell. (Pointing through the window) What is that cowshed?NOAKES: The hermitage, my lady?LADY CROOM: It is a cowshed.NOAKES: It is, I assure you, a very habitable cottage, properly founded and drained, two rooms and a closet under a slate roof and a stone chimney --LADY CROOM: And who is to live in it?NOAKES: Why, the hermit.LADY CROOM: Where is he?NOAKES: Madam?LADY CROOM: You surely do not supply an hermitage without a hermit?NOAKES: Indeed, madam --LADY CROOM: Come, come, Mr Noakes. If I am promised a fountain I expect it to come with water. What hermits do you have?NOAKES: I have no hermits, my lady.LADY CROOM: Not one? I am speechless.NOAKES: I am sure a hermit can be found. One could advertise.LADY CROOM: Advertise?NOAKES: In the newspapers.LADY CROOM: But surely a hermit who takes a newspaper is not a hermit in whom one can have complete confidence.
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About Tom Stoppard
Born in Czechoslovakia, Stoppard left as a child refugee, fleeing imminent Nazi occupation. He settled with his family in Britain after the war, in 1946, having spent the previous three years (1943–1946) in a boarding school in Darjeeling in the Indian Himalayas. After being educated at schools in Nottingham and Yorkshire, Stoppard became a journalist, a drama critic and then, in 1960, a playwright.
Stoppard's most prominent plays include Rosencrantz and Guildenstern Are Dead (1966), Jumpers (1972), Travesties (1974), Night and Day (1978), The Real Thing (1982), Arcadia (1993), The Invention of Love (1997), The Coast of Utopia (2002), Rock 'n' Roll (2006) and Leopoldstadt (2020). He wrote the screenplays for Brazil (1985), Empire of the Sun (1987), The Russia House (1990), Billy Bathgate (1991), Shakespeare in Love (1998), Enigma (2001), and Anna Karenina (2012), as well as the HBO limited series Parade's End (2013). He directed the film Rosencrantz and Guildenstern Are Dead (1990), an adaptation of his own 1966 play, with Gary Oldman and Tim Roth as the leads. Stoppard wrote the film's screenplay.
Stoppard has received numerous awards and honours including an Academy Award, three Laurence Olivier Award, and five Tony Awards. In 2008, The Daily Telegraph ranked him number 11 in their list of the "100 most powerful people in British culture". It was announced in June 2019 that Stoppard had written a new play, Leopoldstadt, set in the Jewish community of early 20th-century Vienna. The play premiered in January 2020 at Wyndham's Theatre. The play went on to win the Laurence Olivier Award for Best New Play and later the 2022 Tony Award for Best Play.