Even T. S. Eliot’s famous 1915 poem The Love Song of J. Alfred Prufrock—in which he laments the need to prepare a face to meet the faces that you meet—seems a cri de coeur about the new demands of self-presentation.
Susan Cain
Even T. S. Eliot’s famous 1915 poem The Love Song of J. Alfred Prufrock—in which he laments the need to prepare a face to meet the faces that you meet—seems a cri de coeur about the new demands of self-presentation.