Sherwood Smith Quote
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth.My dear Countess, he said with a grand bow. Please bolster my declining prestige by joining me in this dance. I thought, then out loud I said, It’s a tartelande. From back then.Which I studied up on all last week, he said, offering his arm.I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors.A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us.In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear.We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring.I said with as careless a smile as I could muster, I’ll wager you’re the most comfortable of the men here tonight.Those tight waistcoats do look uncomfortable, but I rather like the baldrics, he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed.After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions.And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal.I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet.I know, because I watched.
Realizing I ought to be circulating as well, I turned--and found myself confronted by the Marquis of Shevraeth.My dear Countess, he said with a grand bow. Please bolster my declining prestige by joining me in this dance. I thought, then out loud I said, It’s a tartelande. From back then.Which I studied up on all last week, he said, offering his arm.I took it and flushed right up to my pearl-lined headdress. Though we had spoken often, of late, at various parties, this was the first time we had danced together since Savona’s ball, my second night at Athanarel. As we joined the circle I sneaked a glance at Elenet. She was dancing with one of the ambassadors.A snap of drums and a lilting tweet caused everyone to take position, hands high, right foot pointed. The musicians reeled out a merry tune to which we dipped and turned and stepped in patterns round one another and those behind and beside us.In between measures I stole looks at my partner, bracing for some annihilating comment about my red face, but he seemed preoccupied as we paced our way through the dance. The Renselaeuses, completely separate from Remalna five hundred years before, had dressed differently, just as they had spoken a different language. In keeping, Shevraeth wore a long tunic that was more like a robe, colored a sky blue, with black and white embroidery down the front and along the wide sleeves. It was flattering to his tall, slender form. His hair was tied back with a diamond-and-nightstar clasp, and a bluefire gem glittered in his ear.We turned and touched hands, and I realized he had broken his reverie and was looking at me somewhat quizzically. I had been caught staring.I said with as careless a smile as I could muster, I’ll wager you’re the most comfortable of the men here tonight.Those tight waistcoats do look uncomfortable, but I rather like the baldrics, he said, surveying my brother, whom the movement of the dance had placed just across from us. At that moment Bran made a wrong turn in the dance, paused to laugh at himself, then hopped back into position and went on. Perhaps emboldened by his heedless example, or inspired by the unusual yet pleasing music, more of the people on the periphery who had obviously not had the time, or the money, or the notion of learning the dances that went along with the personas and the clothes, were moving out to join. At first tentative, with nervously gripped fans and tense shoulders here and there betraying how little accustomed to making public mistakes they were, the courtiers slowly relaxed.After six or seven dances, when faces were flushed and fans plied in earnest, the first of my mime groups came out to enact an old folktale. The guests willingly became an audience, dropping onto waiting cushions.And so the evening went. There was an atmosphere of expectation, of pleasure, of relaxed rules as the past joined the present, rendering both slightly unreal.I did not dance again but once, and that with Savona, who insisted that I join Shevraeth and Elenet in a set. Despite his joking remarks from time to time, the Marquis seemed more absent than merry, and Elenet moved, as always, with impervious serenity and reserve. Afterward the four of us went our ways, for Shevraeth did not dance again with Elenet.I know, because I watched.
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About Sherwood Smith
Smith's works include the YA novel Crown Duel. Smith also collaborated with Dave Trowbridge in writing the Exordium series and with Andre Norton in writing two of the books in the Solar Queen universe.
In 2001, her short story "Mom and Dad at the Home Front" was a finalist for the Nebula Award for Best Short Story. Smith's children's books have made it on many library Best Books lists. Her Wren's War was an Anne Spencer Lindbergh Honor Book, and it and The Spy Princess were Mythopoeic Fantasy Award finalists. Smith was formerly an officer of the Mythopoeic Society under her birth name, Christine Ione Smith, but prefers "Sherwood" both personally and professionally.