Robert Crais Quote

Harvey didn’t set his phone to beep or buzz or vibrate like a normal person. Harvey’s phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.

Robert Crais

Harvey didn’t set his phone to beep or buzz or vibrate like a normal person. Harvey’s phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.

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About Robert Crais

Robert Crais (pronounced /kreɪs/) (born June 20, 1953) is an American author of detective fiction and former screenwriter. Crais began his career writing scripts for television shows such as Hill Street Blues, Cagney & Lacey, Quincy, Miami Vice and L.A. Law. His writing is influenced by Raymond Chandler, Dashiell Hammett, Ernest Hemingway, Robert B. Parker and John Steinbeck. Crais has won numerous awards for his crime novels. Lee Child has cited him in interviews as one of his favourite American crime writers. The novels of Robert Crais have been published in 62 countries and are bestsellers around the world. Robert Crais received the Ross Macdonald Literary Award in 2006 and was named Grand Master by the Mystery Writers of America in 2014.