Robert Browning Quote

I.My first thought was, he lied in every word,That hoary cripple, with malicious eyeAskance to watch the workings of his lieOn mine, and mouth scarce able to affordSuppression of the glee, that pursed and scoredIts edge, at one more victim gained thereby.II.What else should he be set for, with his staff?What, save to waylay with his lies, ensnareAll travellers who might find him posted there,And ask the road? I guessed what skull-like laughWould break, what crutch 'gin write my epitaphFor pastime in the dusty thoroughfare.III.If at his counsel I should turn asideInto that ominous tract which, all agree,Hides the Dark Tower. Yet acquiescinglyI did turn as he pointed, neither prideNow hope rekindling at the end descried,So much as gladness that some end might be.IV.For, what with my whole world-wide wandering,What with my search drawn out through years, my hopeDwindled into a ghost not fit to copeWith that obstreperous joy success would bring,I hardly tried now to rebuke the springMy heart made, finding failure in its scope.V.As when a sick man very near to deathSeems dead indeed, and feels begin and endThe tears and takes the farewell of each friend,And hears one bit the other go, draw breathFreelier outside, ('since all is o'er,' he saithAnd the blow fallen no grieving can amend;')VI.When some discuss if near the other gravesbe room enough for this, and when a daySuits best for carrying the corpse away,With care about the banners, scarves and stavesAnd still the man hears all, and only cravesHe may not shame such tender love and stay.VII.Thus, I had so long suffered in this quest,Heard failure prophesied so oft, been writSo many times among 'The Band' to wit,The knights who to the Dark Tower's search addressedTheir steps - that just to fail as they, seemed best,And all the doubt was now - should I be fit?VIII.So, quiet as despair I turned from him,That hateful cripple, out of his highwayInto the path he pointed. All the dayHad been a dreary one at best, and dimWas settling to its close, yet shot one grimRed leer to see the plain catch its estray.IX.For mark! No sooner was I fairly foundPledged to the plain, after a pace or two,Than, pausing to throw backwards a last viewO'er the safe road, 'twas gone; grey plain all round;Nothing but plain to the horizon's bound.I might go on, naught else remained to do.X.So on I went. I think I never sawSuch starved ignoble nature; nothing throve:For flowers - as well expect a cedar grove!But cockle, spurge, according to their lawMight propagate their kind with none to awe,You'd think; a burr had been a treasure trove.XI.No! penury, inertness and grimace,In some strange sort, were the land's portion. 'SeeOr shut your eyes,' said Nature peevishly,It nothing skills: I cannot help my case:

Robert Browning

I.My first thought was, he lied in every word,That hoary cripple, with malicious eyeAskance to watch the workings of his lieOn mine, and mouth scarce able to affordSuppression of the glee, that pursed and scoredIts edge, at one more victim gained thereby.II.What else should he be set for, with his staff?What, save to waylay with his lies, ensnareAll travellers who might find him posted there,And ask the road? I guessed what skull-like laughWould break, what crutch 'gin write my epitaphFor pastime in the dusty thoroughfare.III.If at his counsel I should turn asideInto that ominous tract which, all agree,Hides the Dark Tower. Yet acquiescinglyI did turn as he pointed, neither prideNow hope rekindling at the end descried,So much as gladness that some end might be.IV.For, what with my whole world-wide wandering,What with my search drawn out through years, my hopeDwindled into a ghost not fit to copeWith that obstreperous joy success would bring,I hardly tried now to rebuke the springMy heart made, finding failure in its scope.V.As when a sick man very near to deathSeems dead indeed, and feels begin and endThe tears and takes the farewell of each friend,And hears one bit the other go, draw breathFreelier outside, ('since all is o'er,' he saithAnd the blow fallen no grieving can amend;')VI.When some discuss if near the other gravesbe room enough for this, and when a daySuits best for carrying the corpse away,With care about the banners, scarves and stavesAnd still the man hears all, and only cravesHe may not shame such tender love and stay.VII.Thus, I had so long suffered in this quest,Heard failure prophesied so oft, been writSo many times among 'The Band' to wit,The knights who to the Dark Tower's search addressedTheir steps - that just to fail as they, seemed best,And all the doubt was now - should I be fit?VIII.So, quiet as despair I turned from him,That hateful cripple, out of his highwayInto the path he pointed. All the dayHad been a dreary one at best, and dimWas settling to its close, yet shot one grimRed leer to see the plain catch its estray.IX.For mark! No sooner was I fairly foundPledged to the plain, after a pace or two,Than, pausing to throw backwards a last viewO'er the safe road, 'twas gone; grey plain all round;Nothing but plain to the horizon's bound.I might go on, naught else remained to do.X.So on I went. I think I never sawSuch starved ignoble nature; nothing throve:For flowers - as well expect a cedar grove!But cockle, spurge, according to their lawMight propagate their kind with none to awe,You'd think; a burr had been a treasure trove.XI.No! penury, inertness and grimace,In some strange sort, were the land's portion. 'SeeOr shut your eyes,' said Nature peevishly,It nothing skills: I cannot help my case:

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About Robert Browning

Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose dramatic monologues put him high among the Victorian poets. He was noted for irony, characterization, dark humour, social commentary, historical settings and challenging vocabulary and syntax.
His early long poems Pauline (1833) and Paracelsus (1835) were acclaimed, but his reputation dwindled for a time – his 1840 poem Sordello was seen as wilfully obscure – and took over a decade to recover, by which time he had moved from Shelleyan forms to a more personal style. In 1846 he married fellow poet Elizabeth Barrett and moved to Italy. By her death in 1861 he had published the collection Men and Women (1855). His Dramatis Personae (1864) and book-length epic poem The Ring and the Book (1868–1869) made him a leading poet. By his death in 1889 he was seen as a sage and philosopher-poet who had fed into Victorian social and political discourse. Societies for studying his work survived in Britain and the US into the 20th century.